Blockchain and the Law: A Critical Evaluation external link

Stanford Journal of Blockchain Law & Policy, vol. 2, num: 1, 2019

blockchain, frontpage

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Truce in the Copyright War? The Pros and Cons of Copyright Compensation Systems for Digital Use external link

Handke, C.W., Quintais, J. & Bodó, B.
Review of Economic Research on Copyright Issues, vol. 15, num: 2, pp: 23-56, 2019

Abstract

This paper discusses copyright compensation systems (CCS) -- that provide licenses for downloading and non-commercial use of copyright works in return for a fee -- in the light of welfare economics and transaction cost economics. Recent empirical studies suggest that CCS could improve social welfare at least for recorded music. The general theme of the theoretical discussion in this paper is a simplicity-flexibility trade-off. On the one hand, CCS seek to reduce the costs of administering and trading copyrights online. On the other hand, standard copyright licenses distort the market mechanism. This paper discusses the costs and benefits of various CCS proposals compared to alternative ways of managing copyright online.

compensation systems, Copyright, frontpage

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Online platforms and the advertising industry deliver EU Code of Practice on disinformation external link

IRIS Newsletter , 2019

Abstract

The newsletter and Merlin Database entry describe the most recent European Union Code of Practice on disinformation and fake news. The code of practice was created by online platforms such as Google and Facebook and the advertising industry to counter fake news online.

code of practice, disinformation, Fake news, Online platforms, Vrijheid van meningsuiting

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Agreement of the [Dutch] Steering Group on Aggression and Violence against Journalists external link

Abstract

Unofficial translation by T. McGonagle of "Akkoord Stuurgroep Agressie en geweld tegen journalisten", July 2018

geweld, Journalistiek, Mediarecht

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Related rights in United States law external link

AMI, vol. 2018, num: 6, pp: 245-251, 2019

Abstract

This article explains the origin of the rights of performers, sound recording producers, audiovisual producers and broadcasters in the United States. As US law does not formally recognize a category of ‘related rights’, some of those rights exist under copyright law and are, therefore, subject to copyright rules such as the originality requirement, the possibility for authors to claim rights back 35 years after a transfer by contract, and the work-made-for-hire doctrine. Other rights are protected under different statutes.

Auteursrecht, frontpage, Verenigde Staten, wet op de naburige rechten

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De naburige rechten hebben hun tijd gehad external link

AMI, vol. 2018, num: 6, pp: 243-244, 2019

Auteursrecht, frontpage, wet op de naburige rechten

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Ten geleide: ‘A je to!’ 25 jaar Wet op de naburige rechten external link

van Gompel, S.
AMI, vol. 2018, num: 6, pp: 235, 2019

Auteursrecht, frontpage, wet op de naburige rechten

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‘Nepnieuws’ in Nederland: verschijningsvormen van en potentiële oplossingen voor dit containerbegrip external link

Plaizier, C. & M. Klus
Mediaforum, vol. 2018, num: 6, pp: 190-193, 2019

desinformatie, Fake news, frontpage, Mediarecht, nederland

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‘Fake news’ en desinformatie in België: weinig zorgen, problemen voor morgen?: Een analyse van dit mediafenomeen in België external link

Mediaforum, vol. 2018, num: 6, pp: 185-189, 2019

België, desinformatie, Fake news, frontpage, Mediarecht

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De taak van sociale media bij het bestrijden van desinformatie external link

Mediaforum, vol. 2018, num: 6, pp: 171-175, 2019

desinformatie, Fake news, frontpage, Mediarecht, sociale media

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