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Alles onder controle? Een kritische blik op de door de dataretentierichtlijn in het leven geroepen driehoeksverhouding tussen de Wet Bewaarplicht Telecommunicatiegegevens, de strafvorderlijke toegangs external link
Handhaving van intellectuele eigendomrechten external link
Abstract
Rapport in opdracht van het Ministerie van Economische Zaken ten behoeve van de ICT-toets 2002. Bijdrage over de stand van wetgeving(sinitiatieven) op wereld- en Europees niveau en in Nederland, Canada, Duitsland, Frankrijk, Japan, Verenigd Koninkrijk, Verenigde Staten en Zweden op het gebied van intellectuele eigendom in de digitale omgeving, m.n. wat betreft auteursrecht, naburige rechten en octrooien op software en bedrijfsmethoden.
Intellectuele eigendom
RIS
Bibtex
Annotatie bij Hof Den Haag 21 december 2000 (De Telegraaf / NVM) external link
Choice of Law in Copyright and Related Rights. Alternatives to the Lex Protectionis external link
Abstract
Nobody denies that the traditional territorial approach to copyright and other intellectual property rights has come under pressure. Yet it persists. Faced with the need to determine the applicable law in cross-border cases, lawyers everywhere wrestle with the implications of the territorial nature of copyright and related rights. In this book Mireille van Eechoud clears the way to the formulation of conflict rules that reflect the purpose of copyright law- to protect creators and stimulate the production and use of information- without reverting to old-fashioned notions of territoriality. She shows how the applicable law can be determined for four distinct legal avenues of intellectual property law:
- Which exclusive rights exist in an intellectual creation and for how long;
- Who is considered to own such right;
- How can these rights be transferred; and
- What continues infringement of copyright and related rights.
Mireille van Eechoud shows how, when each of these questions is approached in the light of the different allocation principles used in modern choice of law, a new clarity begins to emerge that promises in time to build a set of conflict rules well suited to the unprecedented copyright and related rights issues that we find so difficult to resolve today. Her in-depth analysis draws in the classis multilateral conventions and treaties, underlying policies, technological and economic developments, utilitarian grounds versus justice considerations, and issues of infringement in the digital environment.
Kluwer Information Law Series
RIS
Bibtex
Openbaarheid in de Grondwet external link
Commercialization of public sector information. Delineating the issues external link
The European Concern with Copyright and Related Rights external link
Creative Commons and Related Rights in Sound Recordings: Are the Two Systems Compatible? external link
Abstract
Can the will of the author cancel her copyright? The Creative Commons licensing system depends on a positive answer to this question, and indeed, in the area of copyright proper, for the most part this is the case. But the related rights of performers and phonogram producers are a different matter: in addition to their exclusive rights, performers and phonogram producers are also granted a right to equitable remuneration for the use of their phonograms in communications to the public or broadcasting by wireless means. Given that, in many EU Member States the right to equitable remuneration has been implemented in the form of a (waivable or non-waivable) compulsory licensing scheme, while, even where a voluntary license scheme is in place, the functional reality of collecting societies will limit the flexibility that this will allow right-owners, the following question arises: is the legal framework of related rights and the collective management systems in place for the exploitation of these rights compatible with the use of Creative Commons licenses? This book chapter attempts to answer this complicated question with regard to the law of the two EU Member States of the UK and the Netherlands. The issue is examined against the backdrop of the innovative flexible collective management pilot project was initiated for musical works between Buma/Stemra, the Dutch collecting society for music authors and publishers, and Creative Commons Netherlands, the Dutch branch of Creative Commons. The chapter concludes that, when contemplating the application of Creative Commons licenses to musical works in the context of the user’s obligation to pay equitable remuneration to the performer and phonogram producer for use of a phonogram in a communication to the public or broadcast, three main circumstances must be kept in mind: (a) Whether the work has been published for commercial purposes; (b) Whether the work is offered by the user on an interactive, on-demand basis; (c) What type of licensing scheme is established in the country in question for the management of the right.
Auteursrecht, Intellectuele eigendom