The main scientific aim of the project is to examine possible compensation schemes as alternatives to copyright, and assess their legal, social and economic viability. The project thus requires interdisciplinary cooperation between scientists from the fields of law, economics and social sciences. It comprises three interrelated parts: (1) a legal study (PhD, 3 years) that describes, compares and normatively assesses possible models of alternative compensation; (2) an economic study (postdoc, 1.5 years) that assesses the welfare effects of various models, and estimates possible remuneration rate(s); and (3) a sociological part (postdoc, 1,5 years), which conducts survey research to establish the level of public support for different policy alternatives and understand the value of different policy components.
The project is financially supported by The Netherlands Organisation for Scientific Research (NWO).
See also:
| Quintais, J. Copyright in the Age of Online Access: Alternative Compensation Systems in EU Law Kluwer Law International, 2017, ISBN: 9789041186676. Abstract | Links | BibTeX @book{Quintais2017,
title = {Copyright in the Age of Online Access: Alternative Compensation Systems in EU Law},
author = {Quintais, J. },
url = {https://lrus.wolterskluwer.com/store/products/copyright-age-online-access-alternative-compensation-systems-eu-law-prod-9041186670/hardcover-item-1-9041186670#details},
isbn = {9789041186676},
year = {2017},
date = {2017-05-29},
volume = {40},
publisher = {Kluwer Law International},
series = {Information Law Series},
abstract = {This book examines pragmatic legal solutions that enable Internet users to access works in the digital environment by exploring the flexibilities in EU copyright law in search of a consistent regulation of non-commercial online use. In addition to proving virtually impossible, online enforcement of copyright may be undesirable because it risks encroaching upon fundamental rights and freedoms. However, the problem remains that creators are often not fairly remunerated for the online use of their works. This book addresses the need for legalisation schemes that favour remunerated access over exclusivity and enforcement for large-scale online use by individuals, while assuring remuneration to rights holders and promoting the development of the information society.},
keywords = {},
pubstate = {published},
tppubtype = {book}
}
This book examines pragmatic legal solutions that enable Internet users to access works in the digital environment by exploring the flexibilities in EU copyright law in search of a consistent regulation of non-commercial online use. In addition to proving virtually impossible, online enforcement of copyright may be undesirable because it risks encroaching upon fundamental rights and freedoms. However, the problem remains that creators are often not fairly remunerated for the online use of their works. This book addresses the need for legalisation schemes that favour remunerated access over exclusivity and enforcement for large-scale online use by individuals, while assuring remuneration to rights holders and promoting the development of the information society. |
| Bodó, B., Handke, C.W., Quintais, J., Vallbé, J. Knocking on Heaven's Door - User Preferences on Digital Cultural Distribution 2015. Abstract | Links | BibTeX @article{,
title = {Knocking on Heaven's Door - User Preferences on Digital Cultural Distribution},
author = {Bod\'{o}, B. and Quintais, J. and Vallb\'{e}, J. and Handke, C.W.},
url = {http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2630519},
year = {2015},
date = {2015-07-31},
abstract = {
14 July 2015.
This paper explores the social, demographic and attitudinal basis of consumer support to a change from the status quo in digital cultural distribution. First we identify how different online and offline, legal and illegal, free and paying content acquisition channels are used in the Dutch media market using a cluster-based classification of respondents according to their cultural consumption. Second, we assess the effect of cultural consumption on the support to the introduction of a Copyright Compensation System (CCS), which, for a small monthly fee would legalize currently infringing online social practices such as private copying from illegal sources and online sharing of copyrighted works. Finally, we link these two analyses to identify the factors that drive the dynamics of change in digital cultural consumption habits.
},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
14 July 2015.<br />
This paper explores the social, demographic and attitudinal basis of consumer support to a change from the status quo in digital cultural distribution. First we identify how different online and offline, legal and illegal, free and paying content acquisition channels are used in the Dutch media market using a cluster-based classification of respondents according to their cultural consumption. Second, we assess the effect of cultural consumption on the support to the introduction of a Copyright Compensation System (CCS), which, for a small monthly fee would legalize currently infringing online social practices such as private copying from illegal sources and online sharing of copyrighted works. Finally, we link these two analyses to identify the factors that drive the dynamics of change in digital cultural consumption habits.
|
| Bodó, B., Handke, C.W., Vallbé, J. Going means trouble and staying makes it double: the value of licensing recorded music online Journal of Cultural Economics, 2015. Abstract | Links | BibTeX @article{,
title = {Going means trouble and staying makes it double: the value of licensing recorded music online},
author = {Bod\'{o}, B. and Handke, C.W. and Vallb\'{e}, J.},
url = {http://link.springer.com/article/10.1007%2Fs10824-015-9251-8},
year = {2015},
date = {2015-06-11},
journal = {Journal of Cultural Economics},
abstract = {
This paper discusses whether a copyright compensation system (CCS) for recorded music\textemdashendowing private Internet subscribers with the right to download and use works in return for a fee\textemdashwould be welfare increasing. It reports on the results of a discrete choice experiment conducted with a representative sample of the Dutch population consisting of 4986 participants. Under some conservative assumptions, we find that applied only to recorded music, a mandatory CCS could increase the welfare of rights holders and users in the Netherlands by over €600 million per year (over €35 per capita). This far exceeds current rights holder revenues from the market of recorded music of ca. €144 million per year. A monthly CCS fee of ca. €1.74 as a surcharge on Dutch Internet subscriptions would raise the same amount of revenues to rights holders as the current market for recorded music. With a voluntary CCS, the estimated welfare gains to users and rights holders are even greater for CCS fees below €20 on the user side. A voluntary CCS would also perform better in the long run, as it could retain a greater extent of market coordination. The results of our choice experiment indicate that a well-designed CCS for recorded music would simultaneously make users and rights holders better off. This result holds even if we correct for frequently observed rates of overestimation in contingent valuation studies.
},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
This paper discusses whether a copyright compensation system (CCS) for recorded music—endowing private Internet subscribers with the right to download and use works in return for a fee—would be welfare increasing. It reports on the results of a discrete choice experiment conducted with a representative sample of the Dutch population consisting of 4986 participants. Under some conservative assumptions, we find that applied only to recorded music, a mandatory CCS could increase the welfare of rights holders and users in the Netherlands by over €600 million per year (over €35 per capita). This far exceeds current rights holder revenues from the market of recorded music of ca. €144 million per year. A monthly CCS fee of ca. €1.74 as a surcharge on Dutch Internet subscriptions would raise the same amount of revenues to rights holders as the current market for recorded music. With a voluntary CCS, the estimated welfare gains to users and rights holders are even greater for CCS fees below €20 on the user side. A voluntary CCS would also perform better in the long run, as it could retain a greater extent of market coordination. The results of our choice experiment indicate that a well-designed CCS for recorded music would simultaneously make users and rights holders better off. This result holds even if we correct for frequently observed rates of overestimation in contingent valuation studies.
|
| Ciurcina, M., Margoni, T., Martin, J.C. de, Morando, F., Ricolfi, M. Remunerating creativity, freeing knowledge: File sharing and extended collective licenses 30.03.2012, (
Position Paper Nexa Center for Internet and Society, 2009.
). Links | BibTeX @misc{,
title = {Remunerating creativity, freeing knowledge: File sharing and extended collective licenses},
author = {Ciurcina, M. and Martin, J.C. de and Morando, F. and Ricolfi, M. and Margoni, T.},
url = {http://www.ivir.nl/publicaties/download/Position_paper_Nexa_2009.pdf},
year = {2012},
date = {2012-03-30},
pages = {9},
note = {
Position Paper Nexa Center for Internet and Society, 2009.
},
keywords = {},
pubstate = {published},
tppubtype = {presentation}
}
|
