Comment of the European Copyright Society on the request for preliminary ruling in Case C-250/25 (Like Company) external link

Mezei, P., Kretschmer, M., Margoni, T., Peukert, A. & Quintais, J.
2026

Abstract

The reference in Like Company v Google (Case C-250/25) is seen as a potential landmark case, giving the EU’s highest court the opportunity to define the scope and conditions of permitted artificial intelligence (AI) training and develop an infringement test for AI outputs. The European Copyright Society (ECS) urges the Court of Justice (sitting as a Grand Chamber) to exercise caution. While the reference stems from a plausible complaint by a press publisher against the provider of an AI powered chatbot reproducing and communicating its editorial content, the implications of this problematic reference could be far-reaching. (1) The reference is factually murky with respect to the technology and services at stake, conflating concepts of ‘chatbot’, ‘large language model’, and ‘search engine’. (2) The reference fails to identify consistently the subject matter at stake, which is the press publishers’ right under Article 15 of the Copyright in the Digital Single Market Directive (2019/790/EU, hereinafter CDSMD), not authorial works. Specifically, the reference conflates questions relating to the training phase (Questions 2 and 3) with the legal characterisation of the use of press publications by an LLM-based chatbot (Question 4 but also Question 1, referring to the right of communication to the public and the right of reproduction under Directive 2001/29/EC, hereinafter InfoSoc Directive). If the reference is found admissible, it is suggested that the Court of Justice should address jointly Questions 4 and 1, which relate to the legal characterisation of the use of press publications in the display. Here it is important to correctly understand next-token prediction in large language models, augmented retrieval technology (where the use of data does not generally form part of the learning process) as well as ‘online use’, defining the scope of the press publishers’ right under Article 15 of the CDSMD. In the Opinion of the ECS, the ambiguous characterisation of a fast-moving technology may result in the failure to realise the societal benefits of AI as a potential general-purpose technology. There are risks that a rash decision will push Europe towards a licensing economy in which AI systems are offered as a service by (non-European) multinationals, without solving issues of equity such as creator consent and distribution of revenues.

Copyright

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De AI-Verordening, de Code of Practice en het auteursrecht download

Auteursrecht, iss. : 1, pp: 5-10, 2026

Abstract

De AI-Verordening, ook wel AI Act geheten, heeft op het eerste gezicht weinig met het auteursrecht van doen. Van de talloze regels van de Verordening heeft er precies één direct betrekking op het auteursrecht. Art. 53 lid 1 (c) AI-Vo verplicht aanbieders van algemene AI-modellen een beleid op te stellen “ter naleving van het Unierecht inzake auteursrechten en naburige rechten”. Dit artikel bespreekt de inhoud en reikwijdte van deze verplichting en onderzoekt de mogelijke extraterritoriale werking ervan. Tevens wordt ingegaan op de GPAI Code of Practice, waarin het auteursrechtelijke voorschrift van de AI-Verordening geconcretiseerd wordt.

AI Act, Artificial intelligence, code of practice, Copyright

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Music streaming debates series part 2: streaming and GenAI discussions in canon external link

Kluwer Copyright Blog, 2026

Abstract

Part 1 of this series gave a general overview of the copyright-related discussions regarding streaming services from the last year. In Part 2, we will gain a clearer picture of the expected challenges for fair remuneration and control over one’s artistry created by new GenAI music services. Also, the implications for “good old” streaming services will be examined. Some concrete legal solutions will be proposed, while also highlighting uncertainties that remain.

Artificial intelligence, Copyright, music, remuneration, streaming services

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Is Upcycling Always Green – and Should It Be? Reconsidering the Rationale for Accommodating Upcycling within IP Law and Leveraging the Potential of Quotation and ‘Due Cause’ external link

Abstract

Climate change has forced legal systems to question many of their long-standing assumptions, including the largely linear logic that continues to underpin intellectual property (IP) law. Existing scholarship has convincingly shown that copyright and trade mark laws often hinder circular practices such as repair and upcycling, prompting calls for greater flexibility or the ‘greenification’ of IP law. This article challenges a key premise of those proposals: that upcycling is inherently environmentally beneficial. The environmental value of upcycling is neither uniform nor self-evident, and in some contexts may be marginal or even adverse. This uncertainty raises a normative question: should accommodation of upcycling under IP law depend on demonstrated environmental benefit, or does upcycling embody a wider social value warranting protection irrespective of ecological impact? The article argues for the latter, developing a justificatory framework grounded not primarily in environmental sustainability, but in artistic freedom and cultural diversity. On this account, environmental benefits – where present – serve as reinforcing considerations rather than the foundation for legal reform. Building on this reframing, the article reassesses concerns about free-riding on IP holders’ rights and argues for a more calibrated balance between upcycling practices and the protection of legitimate IP interests. It then examines how this balance might be realised within existing EU IP law, focusing on the underexplored potential of the quotation exception in copyright law and the ‘due cause’ defence in trade mark law. By repositioning these defences within the sustainability discourse, the article seeks to broaden the tools available to courts and policymakers for aligning IP law with the social value of upcycling.

Copyright, Freedom of expression, Trademark law, upcycling

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VPNs, Copyright Territoriality, and Why Borders Still Matter Online: AG Rantos’ Opinion in Anne Frank Fonds (C-788/24) external link

Kluwer Copyright Blog, 2026

Copyright, territoriality

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EU copyright law roundup – fourth trimester of 2025 external link

Trapova, A. & Quintais, J.
Kluwer Copyright Blog, 2026

Copyright

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Annotatie bij HvJEU 24 oktober 2024 (Kwantum Nederland en Kwantum België) download

Auteurs & Media, 2026

Abstract

Dit is een belangrijk arrest over de verhouding tussen het unierecht en het internationale auteursrecht. Volgens het Europese Hof van Justitie geldt de door Richtlijn 2001/29/EG (de ‘InfoSoc-richtlijn’) geharmoniseerde auteursrechtelijke bescherming voor alle werken ongeacht hun land van oorsprong en mogen de lidstaten van de Unie de reciprociteitsregel van art. 2 lid 7 van de Berner Conventie (‘BC’) daarom niet toepassen om werken van toegepaste kunst afkomstig uit de Verenigde Staten auteursrechtelijke bescherming te ontzeggen.

Copyright

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Music Recommender Systems And the Copyright Blind Spot: Conceptualising the Right to Be Heard external link

pp: 15, 2025

Abstract

Digital music platforms project an image of unprecedented abundance, linguistic diversity, and borderless circulation, yet the infrastructures that organise musical discovery increasingly shape who is heard and who remains silent. This paper argues that while EU copyright law effectively secures lawful availability, rights management, and remuneration, it remains structurally indifferent to the allocation of cultural attention. As musical discovery is now mediated primarily through algorithmic recommender systems, visibility has ceased to be a by-product of access and has become a function of metadata, optimisation, and design. The resulting condition of being represented but not heard exposes a doctrinal blind spot in the European copyright acquis and raises broader constitutional concerns relating to artistic freedom, freedom of expression, and cultural participation. Against this backdrop the paper conceptualises a right to be heard as a relational and infrastructural dimension of cultural participation and explores whether prominence-based regulatory approach, inspired by the AVMS Directive, could offer a proportionate response to algorithmically mediated cultural exclusion in the internal market that is compatible with the freedom to conduct a business.

Copyright, music industry, recommender systems

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The interface of rights to access public sector information and copyright: Opinion of the European Copyright Society external link

van Eechoud, M., Griffiths, J., Husovec, M. & Sganga, C.
Kluwer Copyright Blog, 2026

access, Copyright, public sector information

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LAION Round 2: Machine-Readable but Still Not Actionable — The Lack of Progress on TDM Opt-Outs – Part 2 external link

Kluwer Copyright Blog, 2025

Artificial intelligence, Copyright, Text and Data Mining (TDM)

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