CIPIL Evening Webinar: ‘Article 17 and the New EU Rules on Content-Sharing Platforms’ external link

Abstract

This presentation addresses the hottest topic in EU copyright law and policy: Article 17 of the new Copyright in the Digital Single Market (CDSM) Directive (2019/790). The CDSM Directive is the culmination of a controversial political and legislative process at EU level. None of its provisions has caused greater debate than Article 17, which introduces a new liability regime for "online content-sharing service providers". These include most user-generated content platforms hosting copyright-protected content accessed daily by millions of individuals in the EU and across the globe. Even before the CDSM Directive is implemented into national law, the issues surrounding Article 17 have already spilled out to the policy and judicial arenas. At the policy level, the debates taking place in a number of Commission-led Stakeholder Dialogues have laid bare many of the unresolved challenges ahead for national legislators and courts. At the judicial level, the Polish government has filed an action for annulment with the CJEU under Article 263 TFEU, focusing on the most problematic aspects of Article 17. This presentation will first place Article 17 into its broader EU policy context of the discussion on the responsibilities of online platforms – from the agenda on "Tackling Illegal Content Online" to the Digital Services Act – and the narrow copyright context regarding the liability of intermediary platforms for third-party content they host. This will be followed by an explanation of the complex mechanics of Article 17 and an identification of some of its fundamental problems. Finally, some tentative proposals will be advanced for how to begin to address such problems, focusing on the core issues of licensing mechanisms and fundamental rights safeguards.

Art. 17 CDSM Directive, Auteursrecht, eu-recht, frontpage, Platforms

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CJEU hearing in the Polish challenge to Article 17: Not even the supporters of the provision agree on how it should work external link

Kluwer Copyright Blog, 2020

Art. 17 CDSM Directive, Auteursrecht, filtering, frontpage

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Evaluatie Wet Auteurscontractenrecht: Eindrapport external link

van Gompel, S., Hugenholtz, P.B., Poort, J., Schumacher, L.D. & Visser, D.
2020

Abstract

Onderzoek in opdracht van het Wetenschappelijk Onderzoek- en Documentatiecentrum (WODC), ministerie van Justitie & Veiligheid. Van de Wet Auteurscontractenrecht, die ten doel heeft om de contractuele positie van auteurs en uitvoerende kunstenaars te versterken, wordt in de praktijk nog weinig gebruik gemaakt. De Wet, die in 2015 als een nieuw onderdeel van de Auteurswet werd ingevoerd, belooft auteurs en artiesten die met exploitanten in zee gaan een ‘billijke vergoeding', geeft makers de kans om contracten open te breken en verbiedt oneerlijke contractsbepalingen. Auteurs en artiesten blijken maar zelden op de bepalingen van de Wet een beroep te doen. Daarbij lijkt de angst voor verlies aan opdrachten of om op een zwarte lijst te komen een belangrijke rol te spelen. Ook blijkt de door de Wet in het leven geroepen laagdrempelige geschillenprocedure nauwelijks te functioneren. Dit zijn enkele van de conclusies van een praktijkevaluatie van de Wet Auteurscontractenrecht die door onderzoekers van de Universiteit van Amsterdam en de Universiteit Leiden in opdracht van het WODC is uitgevoerd. See also the summary and conclusions in English at the link below.

auteurscontractenrecht, Auteursrecht, evaluatie, frontpage, wodc

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The Odyssey of the Prohibition on General Monitoring Obligations on the Way to the Digital Services Act: Between Article 15 of the E-Commerce Directive and Article 17 of the Directive on Copyright in the Digital Single Market external link

Abstract

EU law provides explicitly that intermediaries may not be obliged to monitor their service in a general manner in order to detect and prevent the illegal activity of their users. However, a misunderstanding of the difference between monitoring specific content and monitoring FOR specific content is a recurrent theme in the debate on intermediary liability and a central driver of the controversy surrounding it. Rightly understood, a prohibited general monitoring obligation arises whenever content – no matter how specifically it is defined – must be identified among the totality of the content on a platform. The moment platform content must be screened in its entirety, the monitoring obligation acquires an excessive, general nature. Against this background, a content moderation duty can only be deemed permissible if it is specific in respect of both the protected subject matter and potential infringers. This requirement of 'double specificity' is of particular importance because it prevents encroachments upon fundamental rights. The jurisprudence of the Court of Justice of the European Union has shed light on the anchorage of the general monitoring ban in primary EU law, in particular the right to the protection of personal data, the freedom of expression and information, the freedom to conduct a business, and the free movement of goods and services in the internal market. Due to their higher rank in the norm hierarchy, these legal guarantees constitute common ground for the application of the general monitoring prohibition in secondary EU legislation, namely Article 15(1) of the E-Commerce Directive ('ECD') and Article 17(8) of the Directive on Copyright in the Digital Single Market ('CDSMD'). With regard to the Digital Services Act (‘DSA’), this result of the analysis implies that any further manifestation of the general monitoring ban in the DSA would have to be construed and applied – in the light of applicable CJEU case law – as a safeguard against encroachments upon the aforementioned fundamental rights and freedoms. If the final text of the DSA does not contain a reiteration of the prohibition of general monitoring obligations known from Article 15(1) ECD and Article 17(8) CDSMD, the regulation of internet service provider liability, duties of care and injunctions would still have to avoid inroads into the aforementioned fundamental rights and freedoms and observe the principle of proportionality. The double specificity requirement plays a central role in this respect.

algorithmic enforcement, Auteursrecht, censorship, Content moderation, Copyright, defamation, Digital Services Act (DSA), filtering, Freedom of expression, frontpage, general monitoring, hosting service, injunctive relief, intermediary liability, notice and stay down, notice and take down, safe harbour, trade mark, user-generated content

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The author strikes back: Mutating authorship in the expanded universe external link

Biron, L. & Bently, L.
0726, pp: 29-51

Auteursrecht

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Public reason, communication and intellectual property external link

Biron, L.
0802, pp: 225-260

Auteursrecht

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Joint authorship and copyright in comparative perspective: the emergence of divergence in the UK and USA external link

Cooper, E.
Journal of the Copyright Society of the USA, vol. 62, num: 2, pp: 245-276, 2015

Auteursrecht

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Copyright and mass social authorship: a case study of the making of the Oxford English dictionary external link

Cooper, E.
Social and Legal Studies, vol. 24, num: 4, pp: 509-530, 2015

Abstract

Social authorship ventures involving masses of volunteers like Wikipedia are thought to be a phenomenon enabled by digital technology, presenting new challenges for copyright law. By contrast, the case study explored in this article uncovers copyright issues considered in relation to a nineteenth century social authorship precedent: the seventy-year process of compiling the first edition of the Oxford English Dictionary instigated by the not-for-profit Philological Society in 1858 which involved thousands of casually organised volunteer readers and sub-editors. Drawing on extensive original archival research, the article uses the case study as a means of critically reflecting on the claims of existing interdisciplinary literature concerning copyright and ‘authorship’: unlike the claims of the so-called Romanticism thesis, the article argues that copyright law supported an understanding of NED authorship as collaborative and democratic. Further, in uncovering the practical solutions which lawyers considered in debating issues relating to title and rights clearance, the article uses the nineteenth century experience as a vantage point for considering how these issues are approached today: despite the very different context, the copyright problems and solutions debated in the nineteenth century demonstrate remarkable continuity with those considered in relation to social authorship projects today.

Auteursrecht

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Romantic authorship in copyright law and the uses of aesthetics external link

Lavik, E.
0402, pp: 45-94

Auteursrecht

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The Work of Authorship external link

Amsterdam University Press, 0304, ISBN: 9789089646354

Auteursrecht, authorship

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