Cross-border extended collective licensing: a solution to online dissemination of Europe’s cultural heritage? external link

Auteursrecht, Intellectuele eigendom

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The Regulation of Digital Content Contracts in the Optional Instrument of Contract Law external link

Loos, M.B.M., Mak, C., Guibault, L. & Helberger, N.
European Review of Private Law, num: 6, pp: 729-758, 2012

Abstract

The past decade has shown a rapid development of the markets for digital content. The further development of these markets, however, may be hindered because of the lack of a functioning legal framework to deal with digital content contracts. In this article, it is argued that the future Optional Instrument should contain rules governing digital content contracts. Moreover, suggestions are made as to the content of such rules.

Auteursrecht, Intellectuele eigendom

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Solving Europeana’s mass-digitization issues through Extended Collective Licensing? external link

Nordiskt Immateriellt Rättsskydd, num: 6, pp: 509-516, 2012

Abstract

The ever increasing use of the Internet and of digitization technologies have opened up new possibilities for distributing and accessing creative content online, including for cultural heritage institutions. However, the digitization and dissemination of a substantial proportion of the collections held by European cultural institutions maybe considerably hindered due to high transaction costs related to clearance of copyright and related rights. This holds equally true for the cultural institutions taking part in the Europeana project. A recent study - Cross-border extended collective licensing: a solution to online dissemination of Europe's cultural heritage - examines whether the Nordic 'extended collective licensing' (ECL) model could provide a viable solution to the problems of digitization and dissemination of copyright protected works held by cultural heritage institutions, with a brief incursion into the issue of the cross-border dissemination of works. This article summarises the main findings of the study.

Auteursrecht, Intellectuele eigendom

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The Press Exception in the Dutch Copyright Act external link

A Century of Dutch Copyright Law. Auteurswet 1912-2012, P.B. Huegnholtz, A.A. Quaedvlieg & D.J.G Vi, deLex 2012, 1030, ISBN: 9789086920372

Auteursrecht, Intellectuele eigendom

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Not so silly after all – new hope for private copying external link

INDICARE Monitor, 2005

Abstract

The decision of the French court in Paris in the so-called Mulholland case has left a sour after-taste since. Could it be true that the privat copying exception, a long standing tradition in many national copyright laws, was in fact not much more than a toothless paper tiger? When we reported about this case we expressed our disbelief that this should have been the end of the private copying exception. And indeed, as the Court of Appeals has recently decided, the tiger may be made of paper, but it still has its teeth.

Auteursrecht, Intellectuele eigendom

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No Place Like Home for Making a Copy: Private Copying in European Copyright Law and Consumer Law external link

Berkeley Technology Law Journal, vol. 2007, num: 3, pp: 1061-1098, 2008

Abstract

This article examines the intersection between copyright law and consumer law relating to private copying in Europe. In doing so, we will query the effectiveness of copyright law and consumer law as legal instruments to protect consumers in their dealings with information suppliers. Our goal is to demonstrate that while copyright law in Europe does offer a measure of comfort to consumers, the legal instruments of European consumer law are potentially more effective in achieving the freedom to make private copies that European consumers generally expect.

Auteursrecht, Intellectuele eigendom

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Clash of cultures – integrating copyright and consumer law external link

Info, num: 6, pp: 23-33, 2012

Abstract

In digital content markets, access to and use of digital content products are largely subject to contractual agreements and licensing conditions between suppliers and consumers. The fact that consumers acquire digital content by way of contractual arrangements implies that their relationship with the suppliers of these products is governed by two sets of rules: consumer law and copyright law. Attempts to integrate copyright and consumer law and policy and to accommodate the interests of the consumer of copyright protected content soon encounter conceptual and political challenges. The question that this article examines is what the main conceptual differences between consumer and copyright law, and the resulting ‘‘clash of cultures’’ are that need to be overcome before dealing successfully with copyright law related matters in consumer law.

Auteursrecht, Intellectuele eigendom

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Kunstenaars wel blij maar niet geholpen met nieuwe auteurscontractenrecht external link

Akker, I., Weda, J. & Poort, J.
Me Judice, vol. 4, pp: 1, 2011

Auteursrecht, Intellectuele eigendom

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Makers over speerpunten. Opvattingen van makers en uitvoerend kunstenaars over de speerpuntenbrief Auteursrecht 20©20 external link

Weda, J., Akker, I. & Poort, J.
AMI, num: 5, pp: 164-170, 2012

Abstract

In dit artikel vergelijken de auteurs de Speerpuntenbrief Auteursrecht 20©20 met de uitkomsten van een enquête onder vierenhalf duizend makers en uitvoerend kunstenaars. De meeste onderdelen van de brief kunnen op hun instemming rekenen. Maar op de punten waar de brief zich liberaler toont, zijn makers behoudend en op handhaving gericht.

Auteursrecht, Intellectuele eigendom

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Digitale drempels: Knelpunten voor legaal digitaal aanbod in de creatieve industrie external link

Weda, J., van der Noll, R., Akker, I., Leenheer, J., Poort, J. & van Gompel, S.
pp: 136, 2012

Abstract

Dit rapport beschrijft de knelpunten bij het tot stand komen van een volwaardige markt voor digitale distributie en exploitatie van muziek, films en series, games en boeken. Onderscheid wordt gemaakt tussen economische, juridische en technische knelpunten.

Auteursrecht, Intellectuele eigendom

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