Territoriality Roundtables (combined report) download

Abstract

This report summarizes the outcome of two roundtables held with expert legal scholars on the need for a unified European copyright. Issues discussed include various models for a unitary copyright title and fundamental rights aspects. The Roundtables are part of a strand of the Recreating Europe project that queries how the territorial nature of copyright and related rights can hinder the realisation of the digital single market. While for e.g., trademarks and designs the EU has legislated community wide rights that extend across borders of individual Member States, copyright and related rights remain national at heart. Authors, performers, phonogram producers, database producers and other related rights owners all acquire bundles of national rights in their respective (intellectual) productions. Despite far-reaching harmonization of the subject-matter, scope and duration of national rights, these rights remain restricted in their existence and exploitation to the geographic boundaries of the individual Member States under whose laws they arise, i.e., they are territorial.

Copyright, Digital Single Market, EU law, Intellectual property, unitary title

Bibtex

Report{nokey, title = {Territoriality Roundtables (combined report)}, author = {van Eechoud, M.}, url = {https://www.ivir.nl/publications/territoriality-roundtables-combined-report/territoriality-roundtables-reportfinal870626_d4_4/}, doi = {https://doi.org/10.5281/zenodo.7564660}, year = {2022}, date = {2022-12-14}, abstract = {This report summarizes the outcome of two roundtables held with expert legal scholars on the need for a unified European copyright. Issues discussed include various models for a unitary copyright title and fundamental rights aspects. The Roundtables are part of a strand of the Recreating Europe project that queries how the territorial nature of copyright and related rights can hinder the realisation of the digital single market. While for e.g., trademarks and designs the EU has legislated community wide rights that extend across borders of individual Member States, copyright and related rights remain national at heart. Authors, performers, phonogram producers, database producers and other related rights owners all acquire bundles of national rights in their respective (intellectual) productions. Despite far-reaching harmonization of the subject-matter, scope and duration of national rights, these rights remain restricted in their existence and exploitation to the geographic boundaries of the individual Member States under whose laws they arise, i.e., they are territorial.}, keywords = {Copyright, Digital Single Market, EU law, Intellectual property, unitary title}, }

EU copyright law round up – first trimester of 2023 external link

Trapova, A. & Quintais, J.
Kluwer Copyright Blog, 2023

Abstract

Welcome to the first trimester of the 2023 round up of EU copyright law! In this edition, we report on an AG Opinion that came out late in 2022 and update you on what has happened in the first trimester of 2023 in EU copyright law. This includes Court of Justice (CJEU) and General Court judgments, Advocate Generals’ (AG) opinions, and important policy developments.

Copyright

Bibtex

Online publication{nokey, title = {EU copyright law round up – first trimester of 2023}, author = {Trapova, A. and Quintais, J.}, url = {https://copyrightblog.kluweriplaw.com/2023/04/13/eu-copyright-law-round-up-first-trimester-of-2023/}, year = {2023}, date = {2023-04-13}, journal = {Kluwer Copyright Blog}, abstract = {Welcome to the first trimester of the 2023 round up of EU copyright law! In this edition, we report on an AG Opinion that came out late in 2022 and update you on what has happened in the first trimester of 2023 in EU copyright law. This includes Court of Justice (CJEU) and General Court judgments, Advocate Generals’ (AG) opinions, and important policy developments.}, keywords = {Copyright}, }

Copyright Content Moderation in the EU: Conclusions and Recommendations download

Quintais, J., Katzenbach, C., Schwemer, S., Dergacheva, D., Riis, T., Mezei, P. & Harkai, I.
2023

Abstract

This report is a deliverable in the reCreating Europe project. The report describes and summarizes the results of our research on the mapping of the EU legal framework and intermediaries’ practices on copyright content moderation and removal. In particular, this report summarizes the results of our previous deliverables and tasks, namely: (1) our Final Report on mapping of EU legal framework and intermediaries’ practices on copyright content moderation and removal; and (2) our Final Evaluation and Measuring Report - impact of moderation practices and technologies on access and diversity. Our previous reports contain a detailed description of the legal and empirical methodology underpinning our research and findings. This report focuses on bringing together these findings in a concise format and advancing policy recommendations.

Content moderation, Copyright, Digital services act, Digital Single Market, intermediaries, Online platforms, terms and conditions

Bibtex

Report{nokey, title = {Copyright Content Moderation in the EU: Conclusions and Recommendations}, author = {Quintais, J. and Katzenbach, C. and Schwemer, S. and Dergacheva, D. and Riis, T. and Mezei, P. and Harkai, I.}, url = {https://www.ivir.nl/publications/copyright-content-moderation-in-the-eu-conclusions-and-recommendations/ssrn-id4403423/}, year = {2023}, date = {2023-03-30}, abstract = {This report is a deliverable in the reCreating Europe project. The report describes and summarizes the results of our research on the mapping of the EU legal framework and intermediaries’ practices on copyright content moderation and removal. In particular, this report summarizes the results of our previous deliverables and tasks, namely: (1) our Final Report on mapping of EU legal framework and intermediaries’ practices on copyright content moderation and removal; and (2) our Final Evaluation and Measuring Report - impact of moderation practices and technologies on access and diversity. Our previous reports contain a detailed description of the legal and empirical methodology underpinning our research and findings. This report focuses on bringing together these findings in a concise format and advancing policy recommendations.}, keywords = {Content moderation, Copyright, Digital services act, Digital Single Market, intermediaries, Online platforms, terms and conditions}, }

Impact of content moderation practices and technologies on access and diversity external link

Schwemer, S., Katzenbach, C., Dergacheva, D., Riis, T. & Quintais, J.
2023

Abstract

This Report presents the results of research carried out as part of Work Package 6 “Intermediaries: Copyright Content Moderation and Removal at Scale in the Digital Single Market: What Impact on Access to Culture?” of the project “ReCreating Europe”, particularly on Tasks 6.3 (Evaluating Legal Frameworks on the Different Levels (EU vs. national, public vs. private) and 6.4 (Measuring the impact of moderation practices and technologies on access and diversity). This work centers on a normative analysis of the existing public and private legal frameworks with regard to intermediaries and cultural diversity, and on the actual impact on intermediaries’ content moderation on diversity.

Content moderation, Copyright, Digital services act, Digital Single Market, intermediaries, Online platforms, terms and conditions

Bibtex

Report{nokey, title = {Impact of content moderation practices and technologies on access and diversity}, author = {Schwemer, S. and Katzenbach, C. and Dergacheva, D. and Riis, T. and Quintais, J.}, url = {https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4380345}, year = {2023}, date = {2023-03-23}, abstract = {This Report presents the results of research carried out as part of Work Package 6 “Intermediaries: Copyright Content Moderation and Removal at Scale in the Digital Single Market: What Impact on Access to Culture?” of the project “ReCreating Europe”, particularly on Tasks 6.3 (Evaluating Legal Frameworks on the Different Levels (EU vs. national, public vs. private) and 6.4 (Measuring the impact of moderation practices and technologies on access and diversity). This work centers on a normative analysis of the existing public and private legal frameworks with regard to intermediaries and cultural diversity, and on the actual impact on intermediaries’ content moderation on diversity.}, keywords = {Content moderation, Copyright, Digital services act, Digital Single Market, intermediaries, Online platforms, terms and conditions}, }

Is Spotify the New Radio? The Scope of the Right to Remuneration for “Secondary Uses” in Respect of Audio Streaming Services download

Gestaltung der Informationsrechtsordnung: Festschrift für Thomas Dreier zum 65. Geburtstag, C.H. Beck, 2023, pp: 161-176, ISBN: 9383406777790

Copyright, radio, remuneration, Spotify, streaming services

Bibtex

Chapter{nokey, title = {Is Spotify the New Radio? The Scope of the Right to Remuneration for “Secondary Uses” in Respect of Audio Streaming Services}, author = {Hugenholtz, P.}, url = {https://www.ivir.nl/publications/is-spotify-the-new-radio-the-scope-of-the-right-to-remuneration-for-secondary-uses-in-respect-of-audio-streaming-services/is-spotify-making-available/}, year = {2023}, date = {2023-03-17}, keywords = {Copyright, radio, remuneration, Spotify, streaming services}, }

How platforms govern users’ copyright-protected content: Exploring the power of private ordering and its implications download

Quintais, J., De Gregorio, G. & Magalhães, J.C.
Computer Law & Security Review, vol. 48, 2023

Abstract

Online platforms provide primary points of access to information and other content in the digital age. They foster users’ ability to share ideas and opinions while offering opportunities for cultural and creative industries. In Europe, ownership and use of such expressions is partly governed by a complex web of legislation, sectoral self- and co-regulatory norms. To an important degree, it is also governed by private norms defined by contractual agreements and informal relationships between users and platforms. By adopting policies usually defined as Terms of Service and Community Guidelines, platforms almost unilaterally set use, moderation and enforcement rules, structures and practices (including through algorithmic systems) that govern the access and dissemination of protected content by their users. This private governance of essential means of access, dissemination and expression to (and through) creative content is hardly equitable, though. In fact, it is an expression of how platforms control what users – including users-creators – can say and disseminate online, and how they can monetise their content. As platform power grows, EU law is adjusting by moving towards enhancing the responsibility of platforms for content they host. One crucial example of this is Article 17 of the new Copyright Directive (2019/790), which fundamentally changes the regime and liability of “online content-sharing service providers” (OCSSPs). This complex regime, complemented by rules in the Digital Services Act, sets out a new environment for OCSSPs to design and carry out content moderation, as well as to define their contractual relationship with users, including creators. The latter relationship is characterized by significant power imbalance in favour of platforms, calling into question whether the law can and should do more to protect users-creators. This article addresses the power of large-scale platforms in EU law over their users’ copyright-protected content and its effects on the governance of that content, including on its exploitation and some of its implications for freedom of expression. Our analysis combines legal and empirical methods. We carry our doctrinal legal research to clarify the complex legal regime that governs platforms’ contractual obligations to users and content moderation activities, including the space available for private ordering, with a focus on EU law. From the empirical perspective, we conducted a thematic analysis of most versions of the Terms of Services published over time by the three largest social media platforms in number of users – Facebook, Instagram and YouTube – so as to identify and examine the rules these companies have established to regulate user-generated content, and the ways in which such provisions shifted in the past two decades. In so doing, we unveil how foundational this sort of regulation has always been to platforms’ functioning and how it contributes to defining a system of content exploitation.

CDSM Directive, Content moderation, Copyright, creators, Digital services act, online content, Online platforms, platform regulation, private ordering, terms of service

Bibtex

Article{nokey, title = {How platforms govern users’ copyright-protected content: Exploring the power of private ordering and its implications}, author = {Quintais, J. and De Gregorio, G. and Magalhães, J.C.}, url = {https://www.ivir.nl/publications/how-platforms-govern-users-copyright-protected-content-exploring-the-power-of-private-ordering-and-its-implications/computer_law_and_security_review_2023/}, doi = {https://doi.org/10.1016/j.clsr.2023.105792}, year = {2023}, date = {2023-02-24}, journal = {Computer Law & Security Review}, volume = {48}, pages = {}, abstract = {Online platforms provide primary points of access to information and other content in the digital age. They foster users’ ability to share ideas and opinions while offering opportunities for cultural and creative industries. In Europe, ownership and use of such expressions is partly governed by a complex web of legislation, sectoral self- and co-regulatory norms. To an important degree, it is also governed by private norms defined by contractual agreements and informal relationships between users and platforms. By adopting policies usually defined as Terms of Service and Community Guidelines, platforms almost unilaterally set use, moderation and enforcement rules, structures and practices (including through algorithmic systems) that govern the access and dissemination of protected content by their users. This private governance of essential means of access, dissemination and expression to (and through) creative content is hardly equitable, though. In fact, it is an expression of how platforms control what users – including users-creators – can say and disseminate online, and how they can monetise their content. As platform power grows, EU law is adjusting by moving towards enhancing the responsibility of platforms for content they host. One crucial example of this is Article 17 of the new Copyright Directive (2019/790), which fundamentally changes the regime and liability of “online content-sharing service providers” (OCSSPs). This complex regime, complemented by rules in the Digital Services Act, sets out a new environment for OCSSPs to design and carry out content moderation, as well as to define their contractual relationship with users, including creators. The latter relationship is characterized by significant power imbalance in favour of platforms, calling into question whether the law can and should do more to protect users-creators. This article addresses the power of large-scale platforms in EU law over their users’ copyright-protected content and its effects on the governance of that content, including on its exploitation and some of its implications for freedom of expression. Our analysis combines legal and empirical methods. We carry our doctrinal legal research to clarify the complex legal regime that governs platforms’ contractual obligations to users and content moderation activities, including the space available for private ordering, with a focus on EU law. From the empirical perspective, we conducted a thematic analysis of most versions of the Terms of Services published over time by the three largest social media platforms in number of users – Facebook, Instagram and YouTube – so as to identify and examine the rules these companies have established to regulate user-generated content, and the ways in which such provisions shifted in the past two decades. In so doing, we unveil how foundational this sort of regulation has always been to platforms’ functioning and how it contributes to defining a system of content exploitation.}, keywords = {CDSM Directive, Content moderation, Copyright, creators, Digital services act, online content, Online platforms, platform regulation, private ordering, terms of service}, }

Protecting creatives or impeding progress? Machine learning and the EU copyright framework external link

Kluwer Copyright Blog, 2023

Copyright

Bibtex

Online publication{nokey, title = {Protecting creatives or impeding progress? Machine learning and the EU copyright framework}, author = {Keller, P.}, url = {https://copyrightblog.kluweriplaw.com/2023/02/20/protecting-creatives-or-impeding-progress-machine-learning-and-the-eu-copyright-framework/}, year = {2023}, date = {2023-02-20}, journal = {Kluwer Copyright Blog}, keywords = {Copyright}, }

ALLEA Statement on Open Access Publication under “Big Deals” and the New Copyright Rules external link

Kluwer Copyright Blog, 2022

Copyright, Digital Single Market, open access, remuneration

Bibtex

Article{nokey, title = {ALLEA Statement on Open Access Publication under “Big Deals” and the New Copyright Rules}, author = {Hugenholtz, P.}, url = {http://copyrightblog.kluweriplaw.com/2022/12/12/allea-statement-on-open-access-publication-under-big-deals-and-the-new-copyright-rules/}, year = {2022}, date = {2022-12-12}, journal = {Kluwer Copyright Blog}, keywords = {Copyright, Digital Single Market, open access, remuneration}, }

Europe’s Human Rights Court rules for the first time on a breach of a copyright holder’s right to property in a private dispute

Journal of Intellectual Property Law & Practice, vol. 17, iss. : 11, pp: 896–898, 2022

Abstract

The European Court of Human Rights has recently ruled that the domestic courts’ failure to justify the grounds for dismissing the applicant’s copyright infringement claim in a private-party dispute concerning the unauthorized online reproduction of the applicant’s book breached the latter’s human right to property. Notably, the Court was not satisfied with the fact that the national courts had not persuasively explained their conclusions regarding the applicability in the applicant’s case of digital exhaustion and of copyright exceptions for libraries and private copying.

Copyright, Human rights

Bibtex

Article{nokey, title = {Europe’s Human Rights Court rules for the first time on a breach of a copyright holder’s right to property in a private dispute}, author = {Izyumenko, E.}, doi = {https://doi.org/10.1093/jiplp/jpac093}, year = {2022}, date = {2022-10-17}, journal = {Journal of Intellectual Property Law & Practice}, volume = {17}, issue = {11}, pages = {896–898}, abstract = {The European Court of Human Rights has recently ruled that the domestic courts’ failure to justify the grounds for dismissing the applicant’s copyright infringement claim in a private-party dispute concerning the unauthorized online reproduction of the applicant’s book breached the latter’s human right to property. Notably, the Court was not satisfied with the fact that the national courts had not persuasively explained their conclusions regarding the applicability in the applicant’s case of digital exhaustion and of copyright exceptions for libraries and private copying.}, keywords = {Copyright, Human rights}, }

Final Report Perspectives Authors and Performers download

Poort, J. & Pervaiz, A.
2022

Abstract

This is the final report of work package 3 and focuses on Authors and Performers and their experience with digital and disruptive factors and how they impact them professionally and financially. The report is based on the results derived from a survey that targets artists from diverse creative fields within the European Union (EU). The first part of the report is the methodology section, where we discuss the research design. It discusses in detail the methods used in preparing the survey – from inception to execution. This is followed by an extensive data analysis section that provides descriptive results followed by analysis of the results both empirically and from interviews. The report then ends with a discussion section and conclusions.

Copyright

Bibtex

Report{nokey, title = {Final Report Perspectives Authors and Performers}, author = {Poort, J. and Pervaiz, A.}, url = {https://www.ivir.nl/publications/final-report-perspectives-authors-and-performers/870626_d3-3_final-report-perspectives-authors-and-performers/}, doi = {https://doi.org/10.5281/zenodo.6779373}, year = {2022}, date = {2022-06-29}, abstract = {This is the final report of work package 3 and focuses on Authors and Performers and their experience with digital and disruptive factors and how they impact them professionally and financially. The report is based on the results derived from a survey that targets artists from diverse creative fields within the European Union (EU). The first part of the report is the methodology section, where we discuss the research design. It discusses in detail the methods used in preparing the survey – from inception to execution. This is followed by an extensive data analysis section that provides descriptive results followed by analysis of the results both empirically and from interviews. The report then ends with a discussion section and conclusions.}, keywords = {Copyright}, }