EU copyright law round up – fourth trimester of 2023 external link

Trapova, A. & Quintais, J.
Kluwer Copyright Blog, 2024

Artificial intelligence, Copyright, EU

Bibtex

Online publication{nokey, title = {EU copyright law round up – fourth trimester of 2023}, author = {Trapova, A. and Quintais, J.}, url = {https://copyrightblog.kluweriplaw.com/2024/01/04/eu-copyright-law-round-up-fourth-trimester-of-2023/}, year = {2024}, date = {2024-01-04}, journal = {Kluwer Copyright Blog}, keywords = {Artificial intelligence, Copyright, EU}, }

Generative AI and Author Remuneration

IIC, vol. 54, pp: 1535-1560, 2023

Abstract

With the evolution of generative AI systems, machine-made productions in the literary and artistic field have reached a level of refinement that allows them to replace human creations. The increasing sophistication of AI systems will inevitably disrupt the market for human literary and artistic works. Generative AI systems provide literary and artistic output much faster and cheaper. It is therefore foreseeable that human authors will be exposed to substitution effects. They may lose income as they are replaced by machines in sectors ranging from journalism and writing to music and visual arts. Considering this trend, the question arises whether it is advisable to take measures to compensate human authors for the reduction in their market share and income. Copyright law could serve as a tool to introduce an AI levy system and ensure the payment of equitable remuneration. In combination with mandatory collective rights management, the new revenue stream could be used to finance social and cultural funds that improve the working and living conditions of flesh-and-blood authors.

collective rights management, Copyright, Freedom of expression, text and data mining, three-step test

Bibtex

Article{nokey, title = {Generative AI and Author Remuneration}, author = {Senftleben, M.}, doi = {https://doi.org/10.1007/s40319-023-01399-4}, year = {2023}, date = {2023-11-07}, journal = {IIC}, volume = {54}, pages = {1535-1560}, abstract = {With the evolution of generative AI systems, machine-made productions in the literary and artistic field have reached a level of refinement that allows them to replace human creations. The increasing sophistication of AI systems will inevitably disrupt the market for human literary and artistic works. Generative AI systems provide literary and artistic output much faster and cheaper. It is therefore foreseeable that human authors will be exposed to substitution effects. They may lose income as they are replaced by machines in sectors ranging from journalism and writing to music and visual arts. Considering this trend, the question arises whether it is advisable to take measures to compensate human authors for the reduction in their market share and income. Copyright law could serve as a tool to introduce an AI levy system and ensure the payment of equitable remuneration. In combination with mandatory collective rights management, the new revenue stream could be used to finance social and cultural funds that improve the working and living conditions of flesh-and-blood authors.}, keywords = {collective rights management, Copyright, Freedom of expression, text and data mining, three-step test}, }

EU copyright law round up – third trimester of 2023 external link

Trapova, A. & Quintais, J.
Kluwer Copyright Blog, 2023

Copyright

Bibtex

Online publication{nokey, title = {EU copyright law round up – third trimester of 2023}, author = {Trapova, A. and Quintais, J.}, url = {https://copyrightblog.kluweriplaw.com/2023/10/02/eu-copyright-law-round-up-third-trimester-of-2023/}, year = {2023}, date = {2023-10-02}, journal = {Kluwer Copyright Blog}, keywords = {Copyright}, }

Editorial: Open Access: we zijn er bijna – maar tegen welke prijs? download

Auteursrecht, iss. : 3, pp: 101-102, 2023

Copyright, open access

Bibtex

Article{nokey, title = {Editorial: Open Access: we zijn er bijna – maar tegen welke prijs?}, author = {Hugenholtz, P.}, url = {https://www.ivir.nl/publications/open-access-we-zijn-er-bijna-maar-tegen-welke-prijs/auteursrecht_2023_3_editorial/}, year = {2023}, date = {2023-10-03}, journal = {Auteursrecht}, issue = {3}, keywords = {Copyright, open access}, }

EU copyright law round up – second trimester of 2023 external link

Trapova, A. & Quintais, J.
Kluwer Copyright Blog, 2023

Copyright

Bibtex

Online publication{nokey, title = {EU copyright law round up – second trimester of 2023}, author = {Trapova, A. and Quintais, J.}, url = {https://copyrightblog.kluweriplaw.com/2023/06/30/eu-copyright-law-round-up-second-trimester-of-2023/}, year = {2023}, date = {2023-06-30}, journal = {Kluwer Copyright Blog}, keywords = {Copyright}, }

Generative AI, Copyright and the AI Act external link

Kluwer Copyright Blog, 2023

Abstract

Generative AI is one of the hot topics in copyright law today. In the EU, a crucial legal issue is whether using in-copyright works to train generative AI models is copyright infringement or falls under existing text and data mining (TDM) exceptions in the Copyright in Digital Single Market (CDSM) Directive. In particular, Article 4 CDSM Directive contains a so-called “commercial” TDM exception, which provides an “opt-out” mechanism for rights holders. This opt-out can be exercised for instance via technological tools but relies significantly on the public availability of training datasets. This has led to increasing calls for transparency requirements. In response to these calls, the European Parliament is considering adding to its compromise version of the AI Act two specific obligations with copyright implications on providers of generative AI models: on (1) transparency and disclosure; and (2) on safeguards for AI-generated content moderation. There is room for improvement on both.

Artificial intelligence, Copyright

Bibtex

Online publication{nokey, title = {Generative AI, Copyright and the AI Act}, author = {Quintais, J.}, url = {https://copyrightblog.kluweriplaw.com/2023/05/09/generative-ai-copyright-and-the-ai-act/}, year = {2023}, date = {2023-05-09}, journal = {Kluwer Copyright Blog}, abstract = {Generative AI is one of the hot topics in copyright law today. In the EU, a crucial legal issue is whether using in-copyright works to train generative AI models is copyright infringement or falls under existing text and data mining (TDM) exceptions in the Copyright in Digital Single Market (CDSM) Directive. In particular, Article 4 CDSM Directive contains a so-called “commercial” TDM exception, which provides an “opt-out” mechanism for rights holders. This opt-out can be exercised for instance via technological tools but relies significantly on the public availability of training datasets. This has led to increasing calls for transparency requirements. In response to these calls, the European Parliament is considering adding to its compromise version of the AI Act two specific obligations with copyright implications on providers of generative AI models: on (1) transparency and disclosure; and (2) on safeguards for AI-generated content moderation. There is room for improvement on both.}, keywords = {Artificial intelligence, Copyright}, }

A Primer and FAQ on Copyright Law and Generative AI for News Media external link

Quintais, J. & Diakopoulos, N.
2023

Artificial intelligence, Copyright, Media law, news

Bibtex

Online publication{nokey, title = {A Primer and FAQ on Copyright Law and Generative AI for News Media}, author = {Quintais, J. and Diakopoulos, N.}, url = {https://generative-ai-newsroom.com/a-primer-and-faq-on-copyright-law-and-generative-ai-for-news-media-f1349f514883}, year = {2023}, date = {2023-04-26}, keywords = {Artificial intelligence, Copyright, Media law, news}, }

Outsourcing Human Rights Obligations and Concealing Human Rights Deficits: The Example of Monetizing User-Generated Content Under the CDSM Directive and the Digital Services Act external link

Senftleben, M., Quintais, J. & Meiring, A.

Abstract

With the shift from the traditional safe harbor for hosting to statutory content filtering and licensing obligations, EU copyright law has substantially curtailed the freedom of users to upload and share their content creations. Seeking to avoid overbroad inroads into freedom of expression, EU law obliges online platforms and the creative industry to take into account human rights when coordinating their content filtering actions. Platforms must also establish complaint and redress procedures for users. The European Commission will initiate stakeholder dialogues to identify best practices. These “safety valves” in the legislative package, however, are mere fig leaves. Instead of safeguarding human rights, the EU legislator outsources human rights obligations to the platform industry. At the same time, the burden of policing content moderation systems is imposed on users who are unlikely to bring complaints in each individual case. The new legislative design in the EU will thus “conceal” human rights violations instead of bringing them to light. Nonetheless, the DSA rests on the same – highly problematic – approach. Against this background, the paper discusses the weakening – and potential loss – of fundamental freedoms as a result of the departure from the traditional notice-and-takedown approach. Adding a new element to the ongoing debate on content licensing and filtering, the analysis will devote particular attention to the fact that EU law, for the most part, has left untouched the private power of platforms to determine the “house rules” governing the most popular copyright-owner reaction to detected matches between protected works and content uploads: the (algorithmic) monetization of that content. Addressing the “legal vacuum” in the field of content monetization, the analysis explores outsourcing and concealment risks in this unregulated space. Focusing on large-scale platforms for user-generated content, such as YouTube, Instagram and TikTok, two normative problems come to the fore: (1) the fact that rightholders, when opting for monetization, de facto monetize not only their own rights but also the creative input of users; (2) the fact that user creativity remains unremunerated as long as the monetization option is only available to rightholders. As a result of this configuration, the monetization mechanism disregards users’ right to (intellectual) property and discriminates against user creativity. Against this background, we discuss whether the DSA provisions that seek to ensure transparency of content moderation actions and terms and conditions offer useful sources of information that could empower users. Moreover, we raise the question whether the detailed regulation of platform actions in the DSA may resolve the described human rights dilemmas to some extent.

Artificial intelligence, Content moderation, Copyright, derivative works, discrimination, Freedom of expression, Human rights, liability, user-generated content

Bibtex

Online publication{nokey, title = {Outsourcing Human Rights Obligations and Concealing Human Rights Deficits: The Example of Monetizing User-Generated Content Under the CDSM Directive and the Digital Services Act}, author = {Senftleben, M. and Quintais, J. and Meiring, A.}, url = {https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4421150}, year = {}, date = {DATE ERROR: pub_date = }, abstract = {With the shift from the traditional safe harbor for hosting to statutory content filtering and licensing obligations, EU copyright law has substantially curtailed the freedom of users to upload and share their content creations. Seeking to avoid overbroad inroads into freedom of expression, EU law obliges online platforms and the creative industry to take into account human rights when coordinating their content filtering actions. Platforms must also establish complaint and redress procedures for users. The European Commission will initiate stakeholder dialogues to identify best practices. These “safety valves” in the legislative package, however, are mere fig leaves. Instead of safeguarding human rights, the EU legislator outsources human rights obligations to the platform industry. At the same time, the burden of policing content moderation systems is imposed on users who are unlikely to bring complaints in each individual case. The new legislative design in the EU will thus “conceal” human rights violations instead of bringing them to light. Nonetheless, the DSA rests on the same – highly problematic – approach. Against this background, the paper discusses the weakening – and potential loss – of fundamental freedoms as a result of the departure from the traditional notice-and-takedown approach. Adding a new element to the ongoing debate on content licensing and filtering, the analysis will devote particular attention to the fact that EU law, for the most part, has left untouched the private power of platforms to determine the “house rules” governing the most popular copyright-owner reaction to detected matches between protected works and content uploads: the (algorithmic) monetization of that content. Addressing the “legal vacuum” in the field of content monetization, the analysis explores outsourcing and concealment risks in this unregulated space. Focusing on large-scale platforms for user-generated content, such as YouTube, Instagram and TikTok, two normative problems come to the fore: (1) the fact that rightholders, when opting for monetization, de facto monetize not only their own rights but also the creative input of users; (2) the fact that user creativity remains unremunerated as long as the monetization option is only available to rightholders. As a result of this configuration, the monetization mechanism disregards users’ right to (intellectual) property and discriminates against user creativity. Against this background, we discuss whether the DSA provisions that seek to ensure transparency of content moderation actions and terms and conditions offer useful sources of information that could empower users. Moreover, we raise the question whether the detailed regulation of platform actions in the DSA may resolve the described human rights dilemmas to some extent.}, keywords = {Artificial intelligence, Content moderation, Copyright, derivative works, discrimination, Freedom of expression, Human rights, liability, user-generated content}, }

Territoriality Roundtables (combined report) download

Abstract

This report summarizes the outcome of two roundtables held with expert legal scholars on the need for a unified European copyright. Issues discussed include various models for a unitary copyright title and fundamental rights aspects. The Roundtables are part of a strand of the Recreating Europe project that queries how the territorial nature of copyright and related rights can hinder the realisation of the digital single market. While for e.g., trademarks and designs the EU has legislated community wide rights that extend across borders of individual Member States, copyright and related rights remain national at heart. Authors, performers, phonogram producers, database producers and other related rights owners all acquire bundles of national rights in their respective (intellectual) productions. Despite far-reaching harmonization of the subject-matter, scope and duration of national rights, these rights remain restricted in their existence and exploitation to the geographic boundaries of the individual Member States under whose laws they arise, i.e., they are territorial.

Copyright, Digital Single Market, EU law, Intellectual property, unitary title

Bibtex

Report{nokey, title = {Territoriality Roundtables (combined report)}, author = {van Eechoud, M.}, url = {https://www.ivir.nl/publications/territoriality-roundtables-combined-report/territoriality-roundtables-reportfinal870626_d4_4/}, doi = {https://doi.org/10.5281/zenodo.7564660}, year = {2022}, date = {2022-12-14}, abstract = {This report summarizes the outcome of two roundtables held with expert legal scholars on the need for a unified European copyright. Issues discussed include various models for a unitary copyright title and fundamental rights aspects. The Roundtables are part of a strand of the Recreating Europe project that queries how the territorial nature of copyright and related rights can hinder the realisation of the digital single market. While for e.g., trademarks and designs the EU has legislated community wide rights that extend across borders of individual Member States, copyright and related rights remain national at heart. Authors, performers, phonogram producers, database producers and other related rights owners all acquire bundles of national rights in their respective (intellectual) productions. Despite far-reaching harmonization of the subject-matter, scope and duration of national rights, these rights remain restricted in their existence and exploitation to the geographic boundaries of the individual Member States under whose laws they arise, i.e., they are territorial.}, keywords = {Copyright, Digital Single Market, EU law, Intellectual property, unitary title}, }