Author remuneration in the streaming age – exploitation rights and fair remuneration rules in the EU external link

Journal of Intellectual Property Law & Practice, vol. 20, iss. : 12, pp: 807–824, 2025

Abstract

The shift from linear to on-demand consumption of copyright content on platforms like Spotify, Netflix and YouTube raises the question of whether authors and performers receive a fair share of streaming revenues. While industry rights holders have the opportunity to control access to protected content, it is often not the creators themselves who benefit from growing streaming revenue. The issue is global. In the EU, debates over the 2019 Copyright Directive led to harmonized rules on fair author remuneration. In 2023, the Group of Latin American and Caribbean Countries urged the World Intellectual Property Organization to analyse creators’ earnings from digital content. South Africa followed suit with its Copyright Amendment Bill in 2024. Together, these regional, international and national initiatives underscore the central role of remuneration in today’s copyright and streaming debates. This analysis focuses on the EU legal framework, which provides mechanisms to secure fair remuneration for authors and performers. These include rules for licensing agreements – such as contract adjustments, transparency obligations, revocation rights and jurisdiction norms – as well as a liability regime for user-generated content encouraging rights clearance. Mandatory collective licensing and remunerated copyright exceptions also help generate revenue for creators. Section I lays the groundwork for the discussion of these legal instruments. Section II reviews exclusive rights applicable to streaming. Section III describes the different legal mechanisms to ensure creators’ fair remuneration – from individual and mandatory collective licensing to remunerated copyright exceptions. Section IV explores producers’ bargaining power in streaming platform contexts, and Section V summarizes the results.

Copyright, EU, exploitation, remuneration, streaming services

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Win-Win: How to Remove Copyright Obstacles to AI Training While Ensuring Author Remuneration (and Why the AI Act Fails to do the Magic) external link

Chicago-Kent Law Review, vol. 100, iss. : 1, pp: 7-55,

Abstract

In the debate on AI training and copyright, the focus is often on the use of protected works during the AI training phase (input perspective). To reconcile training objectives with authors' fair remuneration interest, however, it is advisable to adopt an output perspective and focus on literary and artistic productions generated by fully-trained AI systems that are offered in the marketplace. Implementing output-based remuneration systems, lawmakers can establish a legal framework that supports the development of unbiased, high quality AI models while, at the same time, ensuring that authors receive a fair remuneration for the use of literary and artistic works for AI training purposes – a fair remuneration that softens displacement effects in the market for literary and artistic creations where human authors face shrinking market share and loss of income. Instead of imposing payment obligations and administrative burdens on AI developers during the AI training phase, output-based remuneration systems offer the chance of giving AI trainers far-reaching freedom. Without exposing AI developers to heavy administrative and financial burdens, lawmakers can permit the use of the full spectrum of human literary and artistic resources. Once fully developed AI systems are brought to the market, however, providers of these systems are obliged to compensate authors for the unbridled freedom to use human creations during the AI training phase and displacement effects caused by AI systems that are capable of mimicking human literary and artistic works. As the analysis shows, the input-based remuneration approach in the EU – with rights reservations and complex transparency rules blocking access to AI training resources – is likely to reduce the attractiveness of the EU as a region for AI development. Moreover, the regulatory barriers posed by EU copyright law and the AI Act may marginalize the messages and values conveyed by European cultural expressions in AI training datasets and AI output. Considering the legal and practical difficulties resulting from the EU approach, lawmakers in other regions should refrain from following the EU model. As an alternative, they should explore output-based remuneration mechanisms. In contrast to the burdensome EU system that requires the payment of remuneration for access to human AI training resources, an output-based approach does not weaken the position of the domestic high-tech sector: AI developers are free to use human creations as training material. Once fully developed AI systems are offered in the marketplace, all providers of AI systems capable of producing literary and artistic output are subject to the same payment obligation and remuneration scheme – regardless of whether they are local or foreign companies. The advantages of this alternative approach are evident. Offering broad freedom to use human creations for AI training, an output-based approach is conducive to AI development. It also bans the risk of marginalizing the messages and values conveyed by a country’s literary and artistic expressions.

Artificial intelligence, Copyright, remuneration

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Is Spotify the New Radio? The Scope of the Right to Remuneration for “Secondary Uses” in Respect of Audio Streaming Services download

Gestaltung der Informationsrechtsordnung: Festschrift für Thomas Dreier zum 65. Geburtstag, C.H. Beck, 2023, pp: 161-176, ISBN: 9383406777790

Copyright, radio, remuneration, Spotify, streaming services

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ALLEA Statement on Open Access Publication under “Big Deals” and the New Copyright Rules external link

Kluwer Copyright Blog, 2022

Copyright, Digital Single Market, open access, remuneration

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Remuneration of authors of books and scientific journals, translators, journalists and visual artists for the use of their works external link

2016, ISBN: 9789279541292

Abstract

A new EU study looks at the remuneration paid to authors in the print sector in ten EU countries (United Kingdom, France, Germany, Italy, Spain, Poland, Ireland, the Netherlands, Hungary and Denmark). The study was conducted to support policy-making in the area of copyright. The Commission is looking for evidence on whether, and to what extent, the differences that exist amongst the Member States' legislative frameworks affect levels of remuneration and the functioning of the internal market.

authors, Copyright, frontpage, journalists, remuneration, translators, visual artists

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