Author remuneration in the streaming age – exploitation rights and fair remuneration rules in the EU external link

Journal of Intellectual Property Law & Practice, vol. 20, iss. : 12, pp: 807–824, 2025

Abstract

The shift from linear to on-demand consumption of copyright content on platforms like Spotify, Netflix and YouTube raises the question of whether authors and performers receive a fair share of streaming revenues. While industry rights holders have the opportunity to control access to protected content, it is often not the creators themselves who benefit from growing streaming revenue. The issue is global. In the EU, debates over the 2019 Copyright Directive led to harmonized rules on fair author remuneration. In 2023, the Group of Latin American and Caribbean Countries urged the World Intellectual Property Organization to analyse creators’ earnings from digital content. South Africa followed suit with its Copyright Amendment Bill in 2024. Together, these regional, international and national initiatives underscore the central role of remuneration in today’s copyright and streaming debates. This analysis focuses on the EU legal framework, which provides mechanisms to secure fair remuneration for authors and performers. These include rules for licensing agreements – such as contract adjustments, transparency obligations, revocation rights and jurisdiction norms – as well as a liability regime for user-generated content encouraging rights clearance. Mandatory collective licensing and remunerated copyright exceptions also help generate revenue for creators. Section I lays the groundwork for the discussion of these legal instruments. Section II reviews exclusive rights applicable to streaming. Section III describes the different legal mechanisms to ensure creators’ fair remuneration – from individual and mandatory collective licensing to remunerated copyright exceptions. Section IV explores producers’ bargaining power in streaming platform contexts, and Section V summarizes the results.

Copyright, EU, exploitation, remuneration, streaming services

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Editorial: GenAI and the Copyright Three-Step Test – Do TDM Exceptions for AI Training Conflict With a Work’s Normal Exploitation? external link

GRUR International, vol. 75, iss. : 1, pp: 1-2, 2025

Abstract

Text and data mining (TDM) for AI training can be regarded as the starting point of a complex process that impacts the market for human literary and artistic creations in different ways. The machine is only capable of mimicking human content after it had the opportunity to derive patterns for its own productions from myriad human creations that served as training resources. Once AI training has been completed and a generative AI (GenAI) system is brought to the market, AI output may support fruitful human/machine collaboration. However, it may also kill demand for the same human creativity that empowered the AI system to become a competitor in the first place. In the terminology of the ubiquitous three-step test in international and European copyright law, this latter challenge raises the question whether copyright exceptions permitting TDM for AI training cause a conflict with a work’s normal exploitation. A closer inspection of the normal exploitation test shows that the chances of demonstrating a relevant conflict are slim in the case of AI training. Rightsholders seeking compensation for displacement effects caused by GenAI systems must resort to the final criterion of the three-step test and argue that the use for AI development unreasonably prejudices their legitimate interests. In practice, this means that copyright holders can hardly employ the three-step test as a tool to erode TDM exemptions altogether. They can only insist on the introduction of appropriate remuneration schemes to avoid unreasonable prejudice in cases of commercial AI training.

Copyright, exploitation, GenAI, Text and Data Mining (TDM), three-step test

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Rethinking Normal Exploitation: Enabling Online Limitations in EU Copyright Law external link

AMI, vol. 2017, num: 6, pp: 197-205, 2018

Abstract

The adoption of limitations to copyright is regulated at international and EU level by the three-step test. The major obstacle to new limitations for online use is a strict interpretation of the test, namely its second step, according to which a limitation shall not conflict with the normal exploitation of works. This article examines the test with a focus on the second step and its application to the digital and crossborder environment. It argues for a flexible and policy-oriented reading of the concept of normal exploitation. Following this approach could enable the introduction of new online limitations in EU law. In particular, within the context of current EU copyright reform, a flexible interpretation could support the introduction of a mandatory and unwaivable limitation for user-generated content.

Copyright, EU, exploitation, frontpage, limitations

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