{"id":1991,"date":"2014-10-03T10:34:08","date_gmt":"2014-10-03T10:34:08","guid":{"rendered":"http:\/\/ivir00.websites.xs4all.nl\/nl\/projects\/of-authorship-and-originality-oor\/"},"modified":"2023-07-07T09:58:24","modified_gmt":"2023-07-07T09:58:24","slug":"of-authorship-and-originality-oor","status":"publish","type":"vo_project","link":"https:\/\/www.ivir.nl\/nl\/projecten\/of-authorship-and-originality-oor\/","title":{"rendered":"HERA – Of Authorship and Originality (OOR)"},"content":{"rendered":"

OOR is a multi-disciplinary collaboration of IViR (University of Amsterdam, The Netherlands), Infomedia (University of Bergen, Norway) and the Centre for Intellectual Property and Information Law (University of Cambridge, United Kingdom). The project queries how insights from literary theory, music studies, film\/visual studies and other Humanities’ disciplines can help articulate copyright norms that enable sustainable creative practices in the digital environment. Our focus is on two interrelated, key concepts in copyright law: the author and the work, which are addressed in three interrelated projects.<\/p>\n

At the University of Bergen, prof. Jostein Gripsrud is principal investigator of the project \u2018Authorship in Collective Arts\u2019, with post-doc Dr. Erlend Lavik as researcher. In Cambridge, prof. Lionel Bently is principal investigator for the project \u2018Multiplicity of Authors\u2019, in which Dr Laura Biron and Dr Elena Cooper take part as post-doctoral researcher. Van Eechoud is overall project lead and principal investigator for the project \u2018The Work as Creative Expression\u201d, on which Dr. Stef van Gompel<\/a> is post-doctoral researcher.<\/p>\n

The individual projects:<\/strong>
\n\"\"<\/a><\/p>\n

Authorship in Collective Arts<\/strong>
\nDepartment of Information Science and Media Studies (Infomedia)
\nUniversity of Bergen
\nProf. Jostein Gripsrud<\/a>, principal investigator
\nDr. Erlend Lavik<\/a>, post-doc researcher<\/p>\n

This project\u2019s theoretical challenge lies in finding a way to modify the traditional Romanticist notion of authorship that still inform today\u2019s copyright laws, particularly in view of the characteristics of collaborative production of artworks in different media and genres, without giving up on the idea that creators or authors of such works must retain a right to certain forms of control of the subsequent use of their works. In collaboration with our partners in the field of law, we wish to identify ways in which a renewed understanding could and should impact on the making and the interpretation of copyright law. While exploring theoretical contributions in several disciplines, our empirical focus will be creative processes in audiovisual production and popular music. Both cultural forms are heavily dependent on digital technologies and are thoroughly marked by collaborative forms of production. The Bergen project will study these two media and genres using well-proven ethnographic methodologies (participant observation and semi-structured interviews).<\/p>\n

Multiplicity of Authors\"\"<\/a><\/strong>
\nCentre for Intellectual Property and Information Law (CIPIL)
\nFaculty of Law, University of Cambridge
\nProf. Lionel Bently<\/a>, principal investigator
\nDr. Laura Biron, post-doc researcher
\nDr. Elena Cooper, post-doc researcher<\/p>\n

At present, by and large, national rules on authorship and copyright ownership are still based on the author as an individual autonomous agent operating in isolation. Within the overall theme of the research proposal on creative collaboration in the digital environment and copyright\u2019s response to facilitate such creative expression (or rather lack of it), the project by CIPIL will focus on problems of multiple authorship. Central in this stream are the relations between contributors: how roles are perceived within creative communities, and the status that copyright law attaches to the various roles, notably the allocation of authorial control both as regards economic rights and immaterial interests (the \u2019moral rights\u2019 of the author). Drawing upon the authorship theories explored in the initial phase of the CRP, and incorporating the results of the case studies by the Infomedia, the CIPIL project will re-evaluate notions of co-authorship and develop approaches that are conducive to collaborative creative production.<\/p>\n

\"\"<\/a><\/p>\n

The Work as Creative Expression<\/strong>
\nInstitute for Information Law (IViR)
\nFaculty of Law, University of Amsterdam
\nDr. Mireille van Eechoud<\/a>, principal investigator and overall project leader
\nStef van Gompel<\/a>, post-doc researcher
\nProf. dr. Bernt Hugenholtz<\/a>, advisor<\/p>\n

This project queries the continued viability of the \u2019original work of authorship\u2019 as a legal object. From an economic perspective, the delineation of copyright subject-matter is ofcourse necessary in order to make it a marketable entity. Copyright law thus has a natural tendency to view creative expression as a \u2019thing\u2019, to which rights are attached. At the same time, the law in many jurisdictions now seems to have evolved to the point where \u2019original\u2019 and \u2019creative\u2019 seem to be synonymous terms, both meaning little more than \u2019not directly copied\u2019 or \u2019resulting from a modicum of freedom of choice\u2019. In this stream the focus is on insights humanities scholarship can provide to critically rethink the concept of ‘work of authorship’. We are particularly interested in how it may inform a copyright policy that better facilitates the needs of creators to engage with existing works and materials without having to seek prior authorisation. Such a rethink also needs to consider the current harmonised right of reproduction, which is essentially a very broad technical concept, lacking normative meaning. We are also particularly interested in how copyright theory can better recognise art forms and practices where the creative value is in the processes as much (or even more so) as in the final product or artefact.<\/p>\n","protected":false},"parent":0,"menu_order":0,"template":"","project_types":[2843,2849],"class_list":["post-1991","vo_project","type-vo_project","status-publish","hentry","project_types-copyright-nl","project_types-creativity-nl","entry"],"acf":[],"yoast_head":"\nHERA - Of Authorship and Originality (OOR) - IVIR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ivir.nl\/nl\/projects\/of-authorship-and-originality-oor\/\" \/>\n<meta property=\"og:locale\" content=\"nl_NL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HERA - Of Authorship and Originality (OOR) - IVIR\" \/>\n<meta property=\"og:description\" content=\"OOR is a multi-disciplinary collaboration of IViR (University of Amsterdam, The Netherlands), Infomedia (University of Bergen, Norway) and the Centre for Intellectual Property and Information Law (University of Cambridge, United Kingdom). The project queries how insights from literary theory, music studies, film\/visual studies and other Humanities' disciplines can help articulate copyright norms that enable sustainable creative practices in the digital environment. Our focus is on two interrelated, key concepts in copyright law: the author and the work, which are addressed in three interrelated projects. At the University of Bergen, prof. Jostein Gripsrud is principal investigator of the project ‘Authorship in Collective Arts’, with post-doc Dr. Erlend Lavik as researcher. In Cambridge, prof. Lionel Bently is principal investigator for the project ‘Multiplicity of Authors’, in which Dr Laura Biron and Dr Elena Cooper take part as post-doctoral researcher. Van Eechoud is overall project lead and principal investigator for the project ‘The Work as Creative Expression”, on which Dr. Stef van Gompel is post-doctoral researcher.   The individual projects: Authorship in Collective Arts Department of Information Science and Media Studies (Infomedia) University of Bergen Prof. Jostein Gripsrud, principal investigator Dr. Erlend Lavik, post-doc researcher This project’s theoretical challenge lies in finding a way to modify the traditional Romanticist notion of authorship that still inform today’s copyright laws, particularly in view of the characteristics of collaborative production of artworks in different media and genres, without giving up on the idea that creators or authors of such works must retain a right to certain forms of control of the subsequent use of their works. In collaboration with our partners in the field of law, we wish to identify ways in which a renewed understanding could and should impact on the making and the interpretation of copyright law. While exploring theoretical contributions in several disciplines, our empirical focus will be creative processes in audiovisual production and popular music. Both cultural forms are heavily dependent on digital technologies and are thoroughly marked by collaborative forms of production. The Bergen project will study these two media and genres using well-proven ethnographic methodologies (participant observation and semi-structured interviews).   Multiplicity of Authors Centre for Intellectual Property and Information Law (CIPIL) Faculty of Law, University of Cambridge Prof. Lionel Bently, principal investigator Dr. Laura Biron, post-doc researcher Dr. Elena Cooper, post-doc researcher At present, by and large, national rules on authorship and copyright ownership are still based on the author as an individual autonomous agent operating in isolation. Within the overall theme of the research proposal on creative collaboration in the digital environment and copyright’s response to facilitate such creative expression (or rather lack of it), the project by CIPIL will focus on problems of multiple authorship. Central in this stream are the relations between contributors: how roles are perceived within creative communities, and the status that copyright law attaches to the various roles, notably the allocation of authorial control both as regards economic rights and immaterial interests (the ’moral rights’ of the author). Drawing upon the authorship theories explored in the initial phase of the CRP, and incorporating the results of the case studies by the Infomedia, the CIPIL project will re-evaluate notions of co-authorship and develop approaches that are conducive to collaborative creative production. The Work as Creative Expression Institute for Information Law (IViR) Faculty of Law, University of Amsterdam Dr. Mireille van Eechoud, principal investigator and overall project leader Stef van Gompel, post-doc researcher Prof. dr. Bernt Hugenholtz, advisor This project queries the continued viability of the ’original work of authorship’ as a legal object. From an economic perspective, the delineation of copyright subject-matter is ofcourse necessary in order to make it a marketable entity. Copyright law thus has a natural tendency to view creative expression as a ’thing’, to which rights are attached. At the same time, the law in many jurisdictions now seems to have evolved to the point where ’original’ and ’creative’ seem to be synonymous terms, both meaning little more than ’not directly copied’ or ’resulting from a modicum of freedom of choice’. In this stream the focus is on insights humanities scholarship can provide to critically rethink the concept of 'work of authorship'. We are particularly interested in how it may inform a copyright policy that better facilitates the needs of creators to engage with existing works and materials without having to seek prior authorisation. Such a rethink also needs to consider the current harmonised right of reproduction, which is essentially a very broad technical concept, lacking normative meaning. We are also particularly interested in how copyright theory can better recognise art forms and practices where the creative value is in the processes as much (or even more so) as in the final product or artefact.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ivir.nl\/nl\/projects\/of-authorship-and-originality-oor\/\" \/>\n<meta property=\"og:site_name\" content=\"IVIR\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-07T09:58:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.ivir.nl\/publicaties\/download\/UIBlogo70X70.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@ivir_uva\" \/>\n<meta name=\"twitter:label1\" content=\"Geschatte leestijd\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.ivir.nl\\\/nl\\\/projects\\\/of-authorship-and-originality-oor\\\/\",\"url\":\"https:\\\/\\\/www.ivir.nl\\\/nl\\\/projects\\\/of-authorship-and-originality-oor\\\/\",\"name\":\"HERA - 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Van Eechoud is overall project lead and principal investigator for the project ‘The Work as Creative Expression”, on which Dr. Stef van Gompel is post-doctoral researcher.   The individual projects: Authorship in Collective Arts Department of Information Science and Media Studies (Infomedia) University of Bergen Prof. Jostein Gripsrud, principal investigator Dr. Erlend Lavik, post-doc researcher This project’s theoretical challenge lies in finding a way to modify the traditional Romanticist notion of authorship that still inform today’s copyright laws, particularly in view of the characteristics of collaborative production of artworks in different media and genres, without giving up on the idea that creators or authors of such works must retain a right to certain forms of control of the subsequent use of their works. In collaboration with our partners in the field of law, we wish to identify ways in which a renewed understanding could and should impact on the making and the interpretation of copyright law. While exploring theoretical contributions in several disciplines, our empirical focus will be creative processes in audiovisual production and popular music. Both cultural forms are heavily dependent on digital technologies and are thoroughly marked by collaborative forms of production. The Bergen project will study these two media and genres using well-proven ethnographic methodologies (participant observation and semi-structured interviews).   Multiplicity of Authors Centre for Intellectual Property and Information Law (CIPIL) Faculty of Law, University of Cambridge Prof. Lionel Bently, principal investigator Dr. Laura Biron, post-doc researcher Dr. Elena Cooper, post-doc researcher At present, by and large, national rules on authorship and copyright ownership are still based on the author as an individual autonomous agent operating in isolation. Within the overall theme of the research proposal on creative collaboration in the digital environment and copyright’s response to facilitate such creative expression (or rather lack of it), the project by CIPIL will focus on problems of multiple authorship. Central in this stream are the relations between contributors: how roles are perceived within creative communities, and the status that copyright law attaches to the various roles, notably the allocation of authorial control both as regards economic rights and immaterial interests (the ’moral rights’ of the author). Drawing upon the authorship theories explored in the initial phase of the CRP, and incorporating the results of the case studies by the Infomedia, the CIPIL project will re-evaluate notions of co-authorship and develop approaches that are conducive to collaborative creative production. The Work as Creative Expression Institute for Information Law (IViR) Faculty of Law, University of Amsterdam Dr. Mireille van Eechoud, principal investigator and overall project leader Stef van Gompel, post-doc researcher Prof. dr. Bernt Hugenholtz, advisor This project queries the continued viability of the ’original work of authorship’ as a legal object. 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Such a rethink also needs to consider the current harmonised right of reproduction, which is essentially a very broad technical concept, lacking normative meaning. 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