This article was based on a
previous publication by Tarlach McGonagle:
‘Does
the Existing Regulatory Framework for Television Apply to
the New Media?’, IRIS Plus (Supplement to IRIS
- Legal Observations of the European Audiovisual Observatory
2001-6.
INTRODUCTION
The central problématique
of this article, whether the existing European regulatory
framework for television is applicable to the so-called 'new
media,' can no longer be considered virgin territory. Despite
its relatively recent introduction into legal debate, its
expanses have already been explored in discussions on
convergence, access rights, the advent of digital television,
and so on. The law and relevant policy formulation, both at
European and national levels, have struggled to keep apace of
technological developments. Consensus has yet to be reached on
the most suitable approach to the question of regulating the
new media, thus guaranteeing the topicality of this question
for some time to come. In the absence of any European
legislation dealing squarely and definitively with the issue,
any charting of the terrain that has already taken place would
benefit greatly from the clarification that such legislation
would provide.
In the first section of this
paper, it is proposed to conduct an audit of existing
definitions – at the European level - of broadcasting and
other new media activities that are colourably of the same
nature. The focus on the European regulatory framework, rather
than on the relevant frameworks in a selection of individual
States, can be explained by the fact that European legislation
often strives to provide a blue-print for equivalent national
legislation. The latter is usually required to give faithful
expression to principles formulated at the international level
with due allowance, where appropriate, for the cultural and
other specificities of each State.
The second section of the
article will focus on conceptual and substantive
considerations. It is hoped that this will suitably complement
the initial emphasis on definitional matters. By raising a
panoply of relevant issues, this section aims to generate
further discussion at the seminar. In light of this objective,
firm stand-points are not always taken. The tenor of the
article is – in the main – discursive, although it has also
incorporated certain elements of personal reflection.
Finally, a number of
pertinent conclusions will be drawn from the conceptual and
definitional audits. These conclusions will emphasise the more
salient points of both audits and reiterate certain policy
considerations for the future.
I. DEFINITIONS
(i) Existing Regulatory
Framework for Television
The existing regulatory
framework for television broadcasting in Europe rests on two
main pillars, the first of which to be elaborated was the
European Convention on Transfrontier Television (ECTT), 1989,
[1] as amended by the
Protocol thereto in 1998. [2]
The ECTT is the progeny of the Council of Europe. It has been
ratified or acceded to by 23 States at the time of writing,
[3] and a further 11 States
are signatories to the Convention, but have yet to ratify it.
The Protocol amending the ECTT has not yet entered into force.
Chronologically, the second
pillar to be constructed was EC Council Directive 89/552/EEC
on the co-ordination of certain provisions laid down by law,
regulation or administrative action in Member States
concerning the pursuit of television broadcasting activities
(the 'Television Without Frontiers' Directive).
[4] The Directive, which
was amended by Directive 97/36/EC of the European Parliament
and of the Council, [5] is
applied in the national legal orders of all Member States of
the European Union (EU) (currently 15). Its provisions have
also dictated some of the terms of accession agreements
concluded with aspirant member states.
The story of these two pieces
of legislation is one of intertwined destinies. The ECTT was
elaborated primarily to facilitate freedom of expression
through the television broadcasting media, irrespective of
national boundaries. Other aims of the Convention include the
cultivation of European heritage and the fostering of European
audiovisual production. Its conception was also motivated by
the need to provide the public with a full-range, high quality
television service. A main stimulus for the drafting of the
'Television Without Frontiers' Directive was the
classification of television broadcasting as a service within
the meaning of the Treaty establishing the European Community.
[6] There was thus a
perceived need to remove regulatory disparities between Member
States and to co-ordinate applicable laws. The goal of
facilitating the free movement of television broadcasting
services would appear to have been more immediate than that of
facilitating the unimpeded circulation of information and
ideas. The interests of television viewers as consumers were
also contained in the conceptual crucible from which the
Directive emerged. In spite of their different objectives,
these two pivotal legal instruments were negotiated in
parallel in order to maintain coherence between them and in
the interest of ensuring legal certainty for States and
transfrontier broadcasters alike.
(a) The European
Convention on Transfrontier Television
Some of the terms defined at
Article 2 of the Convention are of cardinal importance to any
consideration of the continued applicability of the Convention
in a society that is becoming increasingly dominated by the
new media. The first of these terms is 'transmission,' which
is defined as “the initial emission by terrestrial
transmitter, by cable, or by satellite of whatever nature, in
encoded or unencoded form, of television programme services
for reception by the general public.”
[7] The definition also
contains a crucial qualifying clause, to the effect that a
transmission “does not include communication services
operating on individual demand”
[8] (see further infra ). Retransmission, according
to Article 2b, “signifies the fact of receiving and
simultaneously transmitting, irrespective of the technical
means employed, complete and unchanged television programme
services, or important parts of such services, transmitted by
broadcasters for reception by the general public.” The term
'programme service' is, in turn, defined as “all the items
within a single service provided by a given broadcaster.”
[9]
The definition of
'broadcaster' in Article 2c was modified somewhat by the
Amending Protocol to the Convention with a view to bringing it
into line with the definition of broadcaster in the amended
“Television Without Frontiers” Directive.
[10] It is now understood
to mean, “the natural or legal person who has editorial
responsibility for the composition of television programme
services for reception by the general public and transmits
them or has them transmitted, complete and unchanged, by a
third party.” [11]
(b) The 'Television
Without Frontiers' Directive
The definitional parameters
of the Directive are set out at Article 1. The definition of
'television broadcasting' has been retained in its original
form at Article 1(a): “the initial transmission by wire or
over the air, including that by satellite, in unencoded or
encoded form, of television programmes intended for reception
by the public. It includes the communication of programmes
between undertakings with a view to their being relayed to the
public. It does not include communication services providing
items of information or other messages on individual demand
such as telecopying, electronic data banks and other similar
services.” [12] The
definition of 'broadcaster' was, however, amended, and now
reads: “the natural or legal person who has editorial
responsibility for the composition of schedules of television
programmes within the meaning of (a) and who transmits them or
has them transmitted by third parties.”
[13]
(ii) New Media /
Information Society Services
The convenient,
wide-embracing term, 'new media services,' is generally
regarded as being synonymous with the term 'Information
Society Services.' The definitional contours of the latter
term have already been drawn rather tentatively. They are
given their clearest legal expression to date in Article 1(2)
of Directive 98/34/EC of the European Parliament and of the
Council of 22 June 1998 laying down a procedure for the
provision of information in the field of technical standards
and regulations, [14] as
amended by Directive 98/48/EC of the European Parliament and
of the Council of 20 July 1998.
[15] The operative part
of this Directive, as amended, describes an 'Information
Society Service' as “any service normally provided for
remuneration, at a distance, by electronic means and at the
individual request of a recipient of services.”
Further elucidation of this
definition is forthcoming: “at a distance” should be
interpreted as meaning “that the service is provided without
the parties being simultaneously present;” “by electronic
means” is explained as “that the service is sent initially and
received at its destination by means of electronic equipment
for the processing (including digital compression) and storage
of data, and entirely transmitted, conveyed and received by
wire, by radio, by optical means or by other electromagnetic
means” and “at the individual request of a recipient of
services” means “the service is provided through the
transmission of data on individual request.”
[16] It is also expressly
stated that radio broadcasting services and television
broadcasting services, as defined by Article 1(a) of the
'Television Without Frontiers' Directive (quoted supra
), are beyond the purview of the definition of Information
Society Services. This would appear to rule out the
possibility of broadcasting services, at least as classically
defined, being considered as Information Society Services. The
definitional line of demarcation is the individual/public
nature of any relevant service. This distinction is, however,
problematic, as will be seen infra.
The definition of
'Information Society Services' provided by Directive 98/34/EC,
as amended, may yet prove seminal. It has already been
incorporated into other legal texts, foremost amongst which
are Directive 98/84/EC of the European Parliament and of the
Council of 20 November 1998 on the legal protection of
services based on, or consisting of, conditional access
[17] and Directive
2000/31/EC of the European Parliament and of the Council of 8
June 2000 on certain legal aspects of information society
services, in particular electronic commerce, in the Internal
Market (Directive on electronic commerce).
[18] The latter Directive
states categorically that radio and television broadcasting
(as defined in the Television Without Frontiers Directive) may
not be brought within the definitional ambit of 'Information
Society Services' as they “are not provided at individual
request.” [19] It thus
makes the distinction between broadcasting, stricto sensu
, on the one hand, and point-to-point services, such as
video-on-demand and the provision of commercial communications
by electronic mail (which it holds to be 'Information Society
Services'), on the other.
The Directive on electronic
commerce then proceeds to enumerate different types of
services that are not included in the definition of the
Information Society: “the use of electronic mail or equivalent
individual communications, for instance by natural persons
acting outside their trade, business or profession including
their use for the conclusion of contracts between such
persons”; “the contractual relationship between an employee
and his employer” and “activities which by their very nature
cannot be carried out at a distance and by electronic means,
such as the statutory auditing of company accounts or medical
advice requiring the physical examination of a patient.”
[20] Once again, the
difference of approach for communications of an individual
nature is conspicuous.
The seminal character of the
aforementioned definition of Information Society Services may
also be measured by its ability to transcend institutional
barriers and gain acceptance in the Council of Europe; an
achievement which it can boast already. For instance, the
definition of 'Information Society Services' used in the
Council of Europe's Draft Convention on information and legal
co-operation concerning “Information Society Services,”
[21] is identical to the
one elaborated in Article 1(2) of Directive 98/34/EC, as
amended by Directive 98/48/EC. The aim of the Draft Convention
is to “set up a legal information and co-operation system in
the area of new communication services following the example
of Directive 98/48/EC.” [22]
Article 2 of the Draft Convention retains, as an integral part
of its definition of Information Society Services, the three
cumulative criteria stipulated in the corresponding definition
in amended Directive 98/34/EC (“at a distance”, “by electronic
means” and “at the individual request of a recipient of
services”). The Draft Convention did not even divest itself of
the economic element to the original definition (“any service,
normally provided for remuneration …”
[23] ); a defining
feature of the EU's traditional approach to such matters, as
opposed to the pro-freedom of expression character of the
Council of Europe's approach. It should be noted, en
passant , that the definition of 'information society
services' in the European Convention on the Legal Protection
of Services Based on, or Consisting of, Conditional Access
[24] has a similar
economic coloration, at least when examined in the light of
its Explanatory Report. [25]
The genesis of the Convention
is candidly traced in its Explanatory Report back to Directive
98/48/EC. The overall tenor of the Explanatory Report would
suggest that the guiding principle of the drafting process was
to produce a text that would facilitate the harmonious and
complementary interaction of the law of two intergovernmental
organisations. The Report states: “It is clear that European
Community legislation and international law need to evolve in
this context as far as possible together and to this end, the
two legal instruments need to have similar legal scope. As
directives are binding legal instruments within the European
Community legal order as far as the objectives are concerned,
a convention-type binding international legal instrument
appears to be the most appropriate Council of Europe
instrument from an international law point of view.”
[26]
(iii) Definitional
Discrepancies
Since their emergence from
the chrysalis of traditional broadcasting, the new media have
developed at a precipitous rate. Until recently, webcasting,
simulcasting, live-streaming, interactive television, portal
television, video-on-demand, near-video-on-demand and other
technological innovations were considered to be experimental,
ancillary or peripheral services provided by traditional
broadcasters. The mainstreaming of these services into
everyday life has prompted calls for a legal redefinition of
broadcasting, as current practices no longer match the
outmoded frameworks to which they are purportedly subject.
Nevertheless, it is not the intention of this paper to
scrutinise the minute details of the changing technological
face of broadcasting, as this has been done elsewhere.
[27]
In the past, there has been a
tacit endorsement of the view that the existing legal
definitions of technological considerations germane to the
audiovisual sector were adaptable. This view prevails in some
quarters, despite the dynamics of technological change.
Reliance on this perceived adaptability was not without its
advantages. Its proponents would argue that the flexible
interpretation of existing definitions is the most practical
tactic to be employed in a race against technological
innovation that will invariably leave the law breathless and
ineffective. The drafters of the ECTT opted for the term
“transmission” in a bid to “embrace the whole range of
technical means employed to bring television programme
services to the public.” [28]
The significance of this is that their overriding concern was
not which particular technical means was employed, but whether
“the television programme service in question is designed for
direct or indirect reception by the general public.”
[29] The recurrence of
the criterion of reception by the “general public” attests
once again to its firm anchorage in the whole broadcasting
regulatory construct.
This premise that existing
legal definitions are adaptable would also appear to have
informed the drafting of Recommendation No. R (99) 14 of the
[Council of Europe] Committee of Ministers to Member States on
Universal Community Service Concerning New Communication and
Information Services. [30]
The Explanatory Memorandum to the Recommendation
[31] seeks to justify its
use of the term “new communication and information services”
without actually defining those services:
“…This term or similar
variants are widely used, commonly referring to digital
communications and information services, such as the
Internet with its World Wide Web and E-mail. The express
mention of the Internet is avoided by the Recommendation,
because of the rapid and unpredictable technological
development in this field and the possible limitation which
might result from an exclusive reference to the Internet.
The word 'new' indicates this recent and on-going
development, although some aspects of this development might
not be qualified as new in the near future. In the light of
the descriptive nature of the term, member States have the
discretion to be more specific in accordance with their
national circumstances and policies. It must be
acknowledged, however, that the word 'Internet' is commonly
used as a generic term for these new communication and
information services.” [32]
The foregoing quotation
focuses on practical and semantic considerations. However,
another dimension to the question is conceptual and involves
an examination of whether the adaptability of existing
regulations is actually desirable. The debate will inevitably
centre on the competing merits of adapting existing laws to
cater for technological developments registered in the
audiovisual domain and of creating new laws to serve the same
purpose. There is no definitive, universally-applicable answer
to the question of whether (i) existing instruments will prove
sufficiently adaptable to cater for future developments or
(ii) recourse to new instruments will prove necessary. Either
way, it is probable that in the near future, the public
opinion-making potential of individual new media services will
move closer to the definitional centre of gravity, in so far
as regulation is concerned.
The notion of transmission to
the “general public” and “public” features prominently in the
definitions of the ECTT and the 'Television Without Frontiers'
Directive respectively. So too, does the express exclusion of
individualised services from the scope of application of these
legislative kingpins of European television broadcasting. The
Explanatory Report to the revised ECTT offers illumination on
the matter: “By 'communication services operating on
individual demand', the authors of the Convention wished to
exclude services which cannot be regarded as being designed
for reception by the general public, such as video-on-demand,
and interactive services like video conferencing, videotext,
telefacsimile services, electronic data banks and similar
communication services.” [33]
The Report fails to clarify the entire definitional quandary,
however. The provisions of the ECTT do apply to
subscription television, pay-per-view, near video-on-demand or
teletext services. Conversely, closed user-group systems do
not qualify under the definition of 'transmission.' This is
because “they are not intended for reception by the general
public.” [34] The
distinction between services sought and provided on individual
demand, on the one hand, and specialised media markets, where
the broadcaster responds to the needs and preferences of
targeted individuals, on the other, is uncertain. The
potential for overlap between the two is not negligible and
future technological advances are not likely to simplify their
relationship. Nor is the tendency, illustrated above, of legal
instruments dealing with Information Society Services to
exclude classical broadcasting activities from their scope.
One possible way of resolving
definitional difficulties would be to focus on the
increasingly-accepted observation that the individualised
nature of Information Society Services precludes them from
being categorised as broadcasting services. As narrow,
straightforward definitions of these two distinct types of
services are mutually exclusive, there would appear to be no
justification for subjecting them to the same regulatory
regime. The question of the adaptability of the existing
regulatory framework therefore does not arise.
The concept of technological
neutrality suggests itself as another possible way of
resolving definitional wrangling over the precise scope of
broadcasting and broadcasting-like activities which might more
readily be classed as Information Society Services. Natali
Helberger, after adverting to the difficulties in classifying
“services provided on the basis of new transmission techniques
or converging media,” [35]
concluded that “a definition of broadcasting should be given
which is as technology-independent as possible and allows to
cover satellite transmission, transmission in digitised and
encrypted form as well as ancillary text.”
[36] One attraction of
the technology-neutral approach is that it allows policy- and
law-makers to focus on substance rather than form. This should
facilitate the channelling of intellectual activity into the
shaping of clear priorities and policies that would not be at
the mercy of largely unpredictable technological developments.
II. APPLICATION
Perhaps the best starting
point for the second section of this article is a quotation
from Beth Simone Noveck: “[T]hough the future is digital, our
thinking about regulation is analogue.”
[37] There is little
doubt that the future of television in Europe will be shaped
by digital, online and other technologies and there is no
doubt whatsoever as to the veracity of the pointed second
observation in the quotation. In a highly instructive piece of
writing, she traces the development of the existing European
regulatory regime for broadcasting and makes valuable,
comprehensive recommendations for future orientations and
priorities. [38] It is
proposed to flesh out Noveck's quoted remark in the
forthcoming pages.
Any legislative change, or
even any contemplation of such change, must not be driven
solely by technical developments. Changes in the fundamental
character of the media are not entirely index-linked to
changes in methods of communication. It has been argued by
Thomas Gibbons that the latter does not necessarily give rise
to the former. The public interest in media activity is no
less important; there will continue to be concern about free
speech and editorial independence, together with the demands
of quality and accountability, the argument runs. “What
convergence does do,” Gibbons states, “is to challenge us to
examine the grounds for traditional regulation and to ask
whether it is based on old forms rather than some broader and
enduring principles.” [39]
This observation is not limited in its application to
convergence. It is equally valid in regard to other new media
services. Two main ways of exercising political control over
the new media have been identified by Giampiero Giacomello: “
limitation and discrimination of access ” (which could
conceivably include licensing or technological requirements)
and “ censorship on contents exchanged on-line”.
[40] These will now be
examined in turn.
(i) The Democratic
Underpinning of Broadcasting Regulation
A selection of rationales are
routinely proposed to justify the continued existence of
broadcasting licensing systems. The more cogent of these
include the frequency scarcity argument and the safeguarding
of pluralism/diversity argument. Both justifications are
outcrops of a particular conception of democracy; in short, “a
conception of democracy which requires that the speech of the
powerful not drown out or impair the speech of the less
powerful.” [41] However,
against the background of dizzying technological changes, the
legitimacy of these rationales is being subjected to sustained
challenges.
A brief examination of the
conception of democracy in question will provide an
elucidatory preface to the subsequent entry into the specifics
of each of the aforementioned rationales. The right to freedom
of expression, opinion and information is central to the
democratic paradigm. Indeed, this multivalent right was aptly
recognised as being the “touchstone” of human rights by the
United Nations General Assembly in 1946.
[42] An entire panoply of
adjectives could be drawn upon in order to adequately extol
its virtues: fundamental, foundational, instrumental,
enabling… Its cardinal importance for individual
self-fulfilment; advancement of knowledge and attainment of
truth in society; participation in democratic politics;
promotion of transparency in government and of a fair and open
legal system, is uncontested.
Broadcasting – in what ever
form – offers a particularly important opportunity for the
realisation of individual and collective rights to freedom of
expression. Obviously, there are huge logistical impediments
to everyone claiming a right of access to broadcasting
outlets. In the words of Judith Lichtenberg, “[T]o suppose
that everyone has rights to communicate in the mass media is
to open the way for such overload and chaos as to constitute a
virtual reductio ad absurdum.”
[43] As with similar
problems in the process of democratic governance, the solution
of representation has been de rigueur in the
broadcasting sphere.
It stands to reason that
broad access and some form of proportionality would be
necessary in the broadcasting sector, if the defining tenets
of democracy are indeed to be honoured and if the so-called
“tyranny of the majority” is to be avoided. Social Darwinism
and red-blooded capitalism would be the order of the day, were
the “market” to be left, unregulated, to its own devices. It
is for this reason that Eric Barendt has argued, forcefully,
that “[T]rue freedom of speech in short requires the
recognition of claim-rights for persons wishing to speak and
the imposition of corresponding duties to afford them
facilities and grant equal opportunities for the exercise of
these rights.” [44] Thus,
it has largely been in reaction to fears of market dominance,
the growth of “information-capitalism”,
[45] the muscling to the
sidelines, or worse, the progressive silencing of minority
voices, that the case has consistently been made in favour of
the State exercising some kind of countervailing or corrective
or influence over broadcasting. It is important to stress that
regulation need not necessarily rhyme with restrictive
practices; it also contains the potential for introducing
countermajoritarian measures for the greater good. Enter
public service broadcasting. A plethora of illuminating
quotations on this topic can be cherry-picked from the works
of leading authors in the field. For present purposes, one
quotation shall suffice: “Notwithstanding the extent of
segmented, commercial broadcasting – indeed, because of it –
public service broadcasting remains a significant element of
democratic participation in a pluralist society.”
[46]
Public service broadcasting
is not by any means the only way in which the State can seek
to exert a stabilising influence over the market. Recourse is
also frequently had to the adoption and enforcement of
measures to safeguard pluralism. A crucial observation is that
pluralism can take two forms – external (involving regulation
and control of ownership of broadcasting outlets) and internal
(involving content-related regulation; a typical feature of
public service broadcasting). In other words, the protection
and promotion of pluralism relies on both structural and
behavioural regulation. It is now proposed to examine each of
these in turn.
(ii) Structural
Regulation
Writing in the early 1990s,
Barendt drew attention to the viewpoint that the extant
regulation of the broadcasting sector in Europe was
“increasingly of a cosmetic character.”
[47] Notwithstanding the
revamping of European broadcasting regulations in 1997 and
1998, by amendments to the 'Television Without Frontiers'
Directive and the ECTT respectively, this critique of the
fundamental nature of the European regulatory scheme merits
attention. The place and perceived role of regulation in an
era increasingly moulded by new technologies are contestable.
The advent of convergence technologies, multiplexing and so
on, might already have sounded the death-knell for the
scarcity rationale. As concerns the democratic character of
the mass media shift from the lack of frequency resources to
questions of access determined by gateways, bottlenecks, smart
cards and other such features of the new digital-dominated
regime, new reasons must be sought to justify the regulation
of one branch of the media, and not of others (for example the
press). Such differential treatment for one type of media
seems anomalous.
It is sometimes argued that
there is greater need for regulation of the audiovisual media
as they are widely thought to have the greatest impact on
public opinion. This argument could be countered by the
assertion that the pervasiveness or effectiveness of different
modes of expression is an inappropriate test for deciding
whether they should be governed by State or other formal
regulation. As Barendt observes, “[I]t cannot be right to
subject more persuasive types of speech to greater restraints
than those imposed on less effective varieties.”
[48]
The viewpoint espoused by
Barendt is one that also has clear reverberations throughout
the academic world. With the notable exception of certain
views canvassed by Lee C. Bollinger,
[49] there is discernible
antipathy among commentators towards the fact that what they
consider to be conceptually obsolete distinctions continue to
survive in fact. Nevertheless, the qualitative criterion of
ability to influence public opinion cannot easily be
jettisoned, for – in the example offered by Owen M. Fiss –
“[C]ompare one day's work of distributing pamphlets at a local
shopping center with a half hour on TV.”
[50] This point is
directly linked to the issue of access broached in the
previous section. The issue could more accurately be described
as equitable or effective access. The fudge of limp lingo such
as “reasonable” or “substantial” amounts of broadcasting time;
these glib sound-bites that are notoriously difficult to
define, should no longer be accepted. Access must be measured
in both quantitative and qualitative terms if it is to be in
any way meaningful. This desideratum is equally applicable to
traditional forms of broadcasting and to the new media alike.
Despite the documented
divergence of opinion on the notion of ability to influence
public opinion, the notion remains at the heart of approaches
to broadcasting in a number of states. In Germany, for
instance, it is one of three main criteria on which the very
concept of broadcasting is based (with the others being the
transmission of content by electronic devices and that they be
directed at the public. Under the rubric of Mediendiensten
, different standards are applied to different types of media
services. The criterion of impact of the medium is not unique
to Germany. Sweden, for example, recognises a similar concept
and in the UK, the notion translates as audience reach. To
date, traditional forms of broadcasting have been perceived as
having a greater ability to influence public opinion than
multimedia services. [51]
Another question which could
usefully be probed further is whether broadcasting – in its
traditional forms – is likely to remain in pole position
insofar as impact on public opinion is concerned. Broadcasting
services in the digital and online worlds are becoming
increasingly customised and personalised; a trend that is a
source of anxiety for some commentators. Cass R. Sunstein, for
instance, fears the deleterious effects that such
individualising trends will have on democracy. The
proliferation of niche markets, the waning of public reliance
on general interest intermediaries and the growing incidence
of advance individual selection of news sources are all
serving to insulate citizens from broader influences and
ideas. He argues that this is corrosive of the democratic
ideal, or at least the ideal of deliberative (and thus
participative) democracy. He writes that:
“[…] people should be
exposed to materials that they would not have chosen in
advance. Unplanned, unanticipated encounters are central to
democracy itself. Such encounters often involve topics and
points of view that people have not sought out and perhaps
find quite irritating. They are important partly to ensure
against fragmentation and extremism, which are predictable
outcomes of any situation in which like-minded people speak
only to themselves. I do not suggest that government should
force people to see things that they wish to avoid. But I do
contend that in a democracy deserving the name, people often
come across views and topics that they have not specifically
selected.” [52]
These individualising trends
in new forms of broadcasting also engender social
fragmentation, by eroding the potential for shared experience
through broadcasting. Furthermore, “[W]ithout shared
experiences, a heterogeneous society will have a much more
difficult time in addressing social problems.”
[53]
(iii) The Suitability of
Existing Licensing Regulations for the New Media
It must be remembered that
licensing – as understood in the context of the European
Convention on Human Rights
[54] – merely refers to positive measures to ensure the
orderly control of broadcasting in a given country. The
European Court of Human Rights held in Groppera Radio AG &
Others v. Switzerland that “the purpose of the third
sentence of Article 10 § 1 (art. 10-1) of the Convention is to
make it clear that States are permitted to control by a
licensing system the way in which broadcasting is organised in
their territories, particularly in its technical aspects. It
does not, however, provide that licensing measures shall not
otherwise be subject to the requirements of paragraph 2 (art.
10-2), for that would lead to a result contrary to the object
and purpose of Article 10 (art. 10) taken as a whole.”
[55] In its ruling in
Informationsverein Lentia & Others v. Austria , the Court
commented that “[T]echnical aspects are undeniably important,
but the grant or refusal of a licence may also be made
conditional on other considerations, including such matters as
the nature and objectives of a proposed station, its potential
audience at national, regional or local level, the rights and
needs of a specific audience and the obligations deriving from
international instruments.”
[56]
Another commentator points
out that “the driver for new developments in technology and
media has always been the functionality.”
[57] The upholding of
standards and diversity of content are perceived as being
somewhat less determinative priorities. This frank observation
partly explains the inexorable globalisation,
commercialisation and individualisation of communications
[58] in recent times.
These trends have, in turn, led to the spawning of special
interest services in the media sector. It is when viewed
against such a backdrop that the pluralism/diversity rationale
for the regulation of broadcasting services is at its most
forceful. The positive, empowering purpose of State regulation
to secure a plurality of content (including minority voices)
in broadcasting should not necessarily be dismissed as an
abridging influence. Much, of course, depends on the details
and actual implementation of such State regulation.
The question of whether
licensing remains a social imperative in the Information
Society is currently under consideration by the
recently-constituted Council of Europe Group of Specialists on
the Democratic and Social Implications of Digital Broadcasting
(MM-S-DB). [59] At its
inaugural meeting, the Group examined the steady undermining
of the legitimacy of licensing requirements based on, inter
alia , the frequency scarcity argument. It also explored
suggestions for the abolition or simplification and
liberalisation of licensing regimes. The Group has decided to
prepare a draft report on the democratic and social
implications of digital broadcasting. The draft report should
provide an overview of the current situation and allow the
Group to adopt a policy position and issue any recommendations
it may have, within its terms of reference.
[60] The further probing
of a range of pertinent questions was also pledged.
[61]
The EU has also demonstrated
its preoccupation with rights of access to new technologies.
Its preoccupation is of predominantly economic/commercial
hues. Article 4 of Directive 95/47/EC of the European
Parliament and of the Council of 24 October 1995 on the use of
standards for the transmission of television signals
[62] sets out some of the
conditions governing conditional access to digital television
services to apply “irrespective of the means of transmission.”
Of particular interest for present purposes is Article 4(c),
which reads:
“Member States shall take
all the necessary measures to ensure that the operators of
conditional access services, irrespective of the means of
transmission, who produce and market access services to
digital television services:
- offer to all
broadcasters, on a fair, reasonable and non-discriminatory
basis, technical services enabling the broadcasters'
digitally-transmitted services to be received by viewers
authorized by means of decoders administered by the
service operators, and comply with Community competition
law, in particular if a dominant position appears […].”
A further safeguard aimed at
preventing the abuse of a dominant position in connection with
conditional access technology is to be found in the subsequent
provision, Article 4d: “when granting licences to
manufacturers of consumer equipment, holders of industrial
property rights to conditional access products and systems
shall ensure that this is done on fair, reasonable and
non-discriminatory terms […].”
By way of synopsis, it can be
stated that the Council of Europe and the EU attach importance
to the licensing of broadcasting for different reasons, in
keeping with their respective institutional priorities. The
frequency scarcity rationale is practically redundant as far
as the new media are concerned. Further, the validity of the
justification based on competition law is also tenuous in the
new, emerging environment that has witnessed the widespread
elimination of certain barriers to individual access to modern
technology. The time is ripe for a thorough reappraisal of all
dimensions to broadcasting regulation as its theoretical
foundations were quite simply not designed to support the new
media.
(iv) Behavioural
Regulation
The regulation of expression
has traditionally lent itself rather easily to categorisation,
particularly in the broadcasting sector, where regulation has
customarily been divided into negative, positive (affirmative)
and hybrid measures. In order to avoid the possible
value-judgment connotations of such appellations, one could
also refer to prohibitive or facilitative regulatory measures,
or a mixture of both. In the interests of clarity, it should
be stated that for present purposes, “prohibitive” means
restrictive of certain content, whereas “facilitative” means
assisting the creation and/or implementation of a public
service remit. The first category could include measures for
the protection of minors or for the prohibition of racism,
incitement to hatred or crime, war propaganda and hard-core
pornography. The second could include access rights, programme
standards, must-carry rules, the regulation of advertising and
rules on the origin of programmes. Typically, the third
category would include rules on (television) advertising
(maximum duration, minimum intervals, etc.), rules on the
national or European origin of programme material and rules
prohibiting the transmission of films before they have been
shown in the cinema. Of the three categories, it is only the
third that could be said to be medium-specific.
(v) The Suitability of
Existing Content Regulations for the New Media
The seemingly relentless
technological advances that have been instrumental in
redefining modern society hold a revolutionary potential of
immanent contradictions. Unprecedented sophistication in
private and public forms of communication and access to vast
sources of information counterbalance the more documented
down-side to this potential, the so-called “dark side of the
new diversity.” [63] The
very existence of such tenebrous pursuits as the dissemination
of pornography, child pornography, racist and hate speech, and
other forms of socially-noxious cyber-crime, means that it is
probable that the new media will continue to be regulated.
These are, after all, concerns that are independent of
distinctions between different kinds of media and transcend
cultural and national frontiers as well.
Nonetheless, given the global
and complicated nature of information technology and the
modern media in general, regulatory difficulties abound. As
concisely stated by Lawrence Lessig: “[R]elative anonymity,
decentralized distribution, multiple points of access, no
necessary tie to geography, no simple system to identify
content, tools of encryption – all these features and
consequences of the Internet protocol make it difficult to
control speech in cyberspace.”
[64]
It has also been noted that
“the international nature of the Internet and of other forms
of new media will mean that future controls will have to be
international in nature or involve self-regulation by parts of
the industry itself. New attempts at content regulation are
thus likely to look very different from techniques adopted in
the past.” [65]
Self-regulation by the
Internet industry has been described as “a technique of
regulation rather than an alternative to regulation.”
[66] As such, it is not
only an increasing trend in many jurisdictions, but an
appropriate basis for “the control of parties working in the
Internet field.” [67]
However, the precise model of self-regulation opted for should
not allow the Government to abdicate its ultimate
responsibility for the protection of the public from the
illegal and harmful use of the new media. The adoption of a
model of co-regulation, on the other hand, would obviate such
concerns, at least in theory. At the European level, there are
increasing indications of a nascent consensus in favour of a
coherent regime/approach for broadcasting and the Internet,
with some form of co-regulation being the most appropriate
form of implementation of such a regime.
This approach would be likely
to command widespread support – it certainly appears to be
au goût du jour in the EU (where involvement of all
interested parties in regulatory approaches tends to be styled
as 'self-regulation'). [68]
In the words of Patrick Donges: “Regulation should rely more
on forms of self-regulation or co-regulation. Generally,
self-regulation is a very demanding concept. The precedent for
establishing forms of self-regulation is that there are
organisations with the mandate to negotiate rules and to
observe the compliance of these rules. Even in forms of
self-regulation, the presence of a forceful public regulator
is needed in order to 'guard the guardians' (“regulated
self-regulation”).” He proceeds to stipulate that “[V]iewers –
regarded as citizens, not as consumers – and their interests
should play a greater role in the formulation and
implementation of objectives concerning broadcasting.”
[69] The stipulation is a
useful reminder of the underlying premise of co-regulation,
i.e. the synergic effects of co-operation and discussion
between a maximum of interested parties.
Presuming that some level of
regulation of the new media is, in fact, appropriate, the
effectiveness of whatever regulatory model is ultimately
chosen will undoubtedly be enhanced by widespread reliance on
rating systems and filtering mechanisms by Internet and other
new media service providers. Furthermore, there will be
nothing to prevent individual users of Information Society
Services from exercising personal control over content-matter
by investing in end-user filtering software and devices,
personal codes and so forth. This is of particular relevance
to questions of parental control and the protection of minors.
[70] On a more
theoretical level, the greater responsibilisation of users of
the new media could be perceived as the logical corollary of
(i) general moves towards self-regulation for the new media,
and (ii) the highly individualised character of the new media.
Indeed, an idea which has
already gained a considerable amount of approval, is that in
general, efficient kite-marking would obviate the need for the
application of certain existing broadcasting rules in an
interactive environment. In accordance with this approach, the
relevant rules on, say, advertising, could be relaxed after
the viewer has made the decision to consciously click on an
option that would lead to further advertising than would
ordinarily be allowed within the legal parameters of
traditional broadcasting. In other words, the higher the level
of active viewer choice, the lower the level of regulation.
[71]
It is inconceivable that the
provisions governing content regulation in the current legal
regime for television broadcasting would be transposed en
bloc and applied to the new media. The reason is that many
of these provisions are largely sector-specific (see supra
). Provisions on advertising, for instance, are often
contingent on the existence of programme schedules and other
structural considerations. The same is true of provisions
aiming to promote the production and use of content of
European origin. Insistence on production quotas in the new
media would not only be incongruous, but also a potential
impediment to the development of the new media, given its
global nature.
If, however, the raison
d'être of content regulation provisions is the protection
of minors or the prevention of the dissemination of racist and
xenophobic material, a plausible case could be made for the
adaptation of such provisions to a putative regulatory order
which would govern the new media. The reason is that these
goals represent immutable values in every society. In the
European context, they are non-negotiable constraints on
freedom of expression. In any event, an ever-increasing array
of legal instruments regulate these matters, so the regulation
of such content in respect of the new media would not be
fashioned solely by existing norms in the traditional
broadcasting sector.
Be that as it may, any
self-contained consideration of the situation in Europe is
incomplete. At the risk of sounding tautological, it must be
accepted that the character of the new media services is truly
global. The aftermath of the recent bombing of the World Trade
Center in New York provided ample evidence, should such be
required, of the inextricable links between Europe and the US.
Similar links, although probably of a looser nature, bind
Europe to other parts of the world. This constant contact with
the rest of the world inevitably adds an extra dimension to
the question of regulation of the new media.
It has been quipped that
“what is 'harmful to minors' in Bavaria is Disney in New
York.” [72] However, the
flippancy of this remark is deceptive for two reasons.
Firstly, it correctly assumes the global nature of the new
media and secondly, it points up the infinite subjectivity
that exists in understandings of, and approaches to, specific
types of content. An Atlantic Ocean of difference separates
Europe from the US in terms of certain freedom of expression
issues and there are Urals, Himalayas and Atlas mountains of
difference between Europe and the rest of the world in this
regard as well. Thus, in the event of any retouches being
applied to the existing European regulatory tableau, the
overtones of such differences would inevitably become evident
in the background.
The highlighted examples of
advertising on the one hand and the protection of minors and
anti-racism strategies on the other, illustrate two very
different possible approaches to content regulation.
Nonetheless, the question of the appropriateness of other
forms of content regulation is less clear-cut and the debate
which it will generate promises to be stimulating.
CONCLUSION
The dawn of the Information
Society in Europe has been much-heralded. After witnessing the
first flushes of this dawn, the time has now come to assess
the new age that is being ushered in. It is a world of
exhilarating technological changes; of shifting legal and
regulatory paradigms and increasingly blurred definitional
boundaries. Traditional distinctions between
telecommunications and broadcasting, whatever their
imperfections, have been largely eroded by the advent of
convergence. Technology and the law seem to have entered a
very Heraclitean state. In the interests of certainty and
consistency, it is no longer satisfactory for the law to be in
a continuous state of reaction to technological change. In
consequence, it is likely that any attempted legal regulation
of the new media in the future will have to be
technology-neutral and sufficiently flexible to cater for
unforeseen technological developments.
It is imperative that policy-
and law-makers at the European level address the challenges
presented by the definitional discrepancies catalogued both
here and elsewhere, between (i) the existing regulatory
framework for television broadcasting and (ii) the (as yet)
somewhat incohesive legal regime governing the new media. The
inappropriateness of the traditional television broadcasting
framework as a regulatory model for the practices of the new
media is becoming increasingly evident. While there are
undeniable similarities between traditional and new media, the
conventional theories and regulatory structures currently
de rigueur would be stretched beyond their elastic limit
if applied reflexively to the new technological order.
Legislators recognise this and are consequently adopting the
practice of underlining the mutual exclusivity of the
traditional and new media at the definitional level. For the
moment, the semantic and conceptual wedge separating the two
is the individualised nature of certain new media services.
Criteria other than the
specifics of technology will have to be drawn on for the
governance of this brave new world. Reflection on the need
for, or desirable extent of, regulation is also called for. A
return to basic principles would be timely. Any regulation of
the media, old or new, must remain firmly rooted in its
erstwhile pro-freedom of expression values. In 1982, the
member States of the Council of Europe resolved to “intensify
their co-operation in order […] to ensure that new information
and communication techniques and services, where available,
are effectively used to broaden the scope of freedom of
expression and information.”
[73] The passage of time has done little to detract from
the value of such a commitment. Indeed, the Preamble to the
ECTT reaffirms this ideal.
[74] Participants in the ongoing debate could do a lot
worse than place their faith in this Thread of Ariadne to
guide them through the labyrinth of complex and
constantly-changing technologies. |
[1] Adopted on 5 May 1989,
E.T.S. No. 132.
[2] Adopted on 1 October
1998, E.T.S. No. 171.
[3] See further, the
website of the Treaty Office of the Council of Europe: <http://conventions.coe.int>.
[4] Adopted on 3 October
1989, OJ L 298, 17.10.1989, p. 23.
[5] Adopted on 30 June
1997, OJ L 202, 30.7.1997, p. 60.
[6] See, in particular,
Article 50 (ex Article 60).
[7] Article 2a, European
Convention on Transfrontier Television, 1989.
[8] Ibid.
[9] Article 2d, ibid.
[10] Article 3, Protocol
Amending the European Convention on Transfrontier Television,
1998.
[11] Ibid.
[12] Article 1(a), The
'Television Without Frontiers' Directive, op. cit.
[13] Article 1(b),
ibid.
[14] OJ L 204, 21.7.1998,
p. 37.
[15] OJ L 217, 5.8.1998,
p. 18.
[16] Article 1(2),
Directive 98/34/EC, as amended, op. cit.
[17] OJ L 320,
28.11.1998, p. 54.
[18] OJ L 178, 17.1.2000,
p. 1.
[19] Para. 18, Preamble,
ibid., p. 3.
[20] Ibid., pp.
3-4.
[21] The text of the
Draft Convention is contained in the request for an opinion
from the Committee of Ministers, Parliamentary Assembly Doc.
8982 of 22 February 2001, available at:
http://stars.coe.fr/doc/doc01/EDOC8982.HTM.
[22] Para. 1, Explanatory
Report to the Draft Convention, ibid.
[23] Emphasis added.
[24] Adopted on 24
January 2001, E.T.S. 178.
[25] See, in particular,
para. 17 of the Explanatory Report.
[26] Para. 3, Explanatory
Report to the Draft Convention on information and legal
co-operation concerning “Information Society Services,” also
contained in Parliamentary Assembly Doc. 8982, op. cit.
[27] See, for instance,
N. Helberger, 'Report
for the Council of Europe on the Neighbouring Rights
Protection of Broadcasting Organisations: Current Problems and
Possible Lines of Action', 1999, in particular, pp. 7
et seq.
[28] Para. 82,
Explanatory Report to the revised European Convention on
Transfrontier Television, T-TT(2000) 8.
[29] Ibid.
[30] Adopted on 9
September 1999, available at:
http://cm.coe.int/ta/rec/1999/99r14.htm.
[31] CM(99)112 – extract,
30 July 1999, available at:
http://cm.coe.int/reports/cmdocs/1999/99cm112ext.htm.
[32] Para. 8, ibid.
[33] Para. 83, op. cit.
[34] Para. 84, ibid.
[35] Op. cit. , p.
12.
[36] Ibid., p. 13.
[37] B.S. Noveck,
“Thinking Analogue About Digital Television? Bringing European
Content Regulation Into The Information Age”, in C. Marsden &
S. Verhulst, Eds., Convergence in European Digital TV
Regulation (Blackstone Press Limited, London, 1999), pp.
37-63, at p. 38.
[38] See also – in the
same volume – C. Cowie & C. Marsden, “A Comparative
Institutional Analysis of Communications Regulation”, pp.
191-215, for a helpful overview of different approaches to
convergence.
[39] T. Gibbons,
“Concentrations of Ownership and Control in a Converging Media
Industry,” in C. Marsden and S. Verhulst (Eds.),
Convergence in European Digital Television (Blackstone
Press Ltd., London, 1999), pp. 155-173, at p.156.
[40] G. Giacomello, “Who
is 'Big Brother'?”, 5 International Journal of
Communications Law and Policy (Summer 2000), p. 3.
Emphasis in original text. Available at: <http://www.ijclp.org>.
[41] O.M. Fiss, The
Irony of Free Speech (Harvard University Press,
Massachusetts, 1996), p. 17.
[42] UN General Assembly
Resolution 59(1), 14 December 1946.
[43] J. Lichtenberg,
“Introduction”, in J. Lichtenberg, Ed., Democracy and the
mass media (Cambridge University Press, US, 1990), pp.
1-21, at p. 17. For a related discussion, see also, E.
Barendt, “Inaugural Lecture – Press and Broadcasting Freedom:
Does Anyone have any Rights to Free Speech?”, in E.M. Barendt,
Ed., Media Law (Dartmouth Publishing Co. Ltd., England,
1993) pp. 241-260, at p. 258.
[44] E. Barendt,
Freedom of Speech (Clarendon Press, Oxford, 1985 – Reprint
of 1996), p. 83.
[45] S. Curry Jansen,
Censorship: The Knot That Binds Power and Knowledge
(Oxford University Press, USA, 1988) pp. 167 et seq.
[46] T. Gibbons,
Regulating the Media (2nd Edition) (Sweet & Maxwell,
London, 1998), pp. 63/4.
[47] E. Barendt,
Broadcasting Law: A Comparative Study (Clarendon Press,
Oxford, 1993), p. 2.
[48] Ibid., p. 7.
[49] See generally, Lee
C. Bollinger, “Freedom of the Press and Public Access: Toward
a Theory of Partial Regulation of the Mass Media”, 75
Michigan Law Review (1976).
[50] O.M. Fiss, “Why the
state?” in J. Lichtenberg, Ed., Democracy and the mass
media (Cambridge University Press, USA, 1990), pp.
136-154, at p. 151. He continues, “Effective speech in the
modern age is not cheap.”
[51] T. McGonagle, “How
to distinguish between broadcasting and new media services /
Broadcasters' access to new media markets”, Report on a Round
Table organised by the Institute for Information Law (IViR) of
the University of Amsterdam and the European Audiovisual
Observatory on 16 June 2001 (publication forthcoming).
[52] C.R. Sunstein,
Republic.com (Princeton University Press, US, 2001), pp.
8, 9.
[53] Ibid., p. 9.
[54] The Convention for
the Protection of Human Rights and Fundamental Freedoms,
adopted on 4 November 1950, E.T.S. No. 5.
[55] Judgment of 28 March
1990, Series A, no. 173, para. 61.
[56] Judgment of 24
November 1993, Series A, no. 276, para. 32.
[57] M. Ezekiel, “The
development of digital platforms for audiovisual services:
technological and market implications”, Paper (CONF/AD (2000)
8) delivered at the Council of Europe Conference on New
Digital Platforms for Audiovisual Services and their Impact on
the Licensing of Broadcasters, Strasbourg, 13 September 2000.
[58] See P. Donges,
“Future policy frameworks for the dissemination of new
audiovisual services on digital platforms: web casting, web
radio, web television etc”, Paper (CONF/AD (2000) 6) delivered
at the Council of Europe Conference on New Digital Platforms
for Audiovisual Services and their Impact on the Licensing of
Broadcasters, Strasbourg, 13 September 2000.
[59] Appendix III:
Pointers for discussion on possible lines of action by the
MM-S-DB, Report (MM-S-DB (2001) 5) of 1st Meeting of the
MM-S-DB, Strasbourg, 21-23 March 2001.
[60] Report, ibid.,
para. 43.
[61] Ibid., para.
44.
[62] OJ L 281,
23.11.1995, p. 51.
[63] D. Goldberg, T.
Prosser & S. Verhulst, Regulating the Changing Media
(Clarendon Press, Oxford, 1998), p. 16.
[64] L. Lessig, Code
and other laws of cyberspace (Basic Books, New York,
1999), p. 166.
[65] D. Goldberg et
al. , op. cit. , p. 17. For a detailed exposition
and analysis of the legal and technical difficulties
concerning regulation of new forms of media, see generally,
pp. 1-27; 295-314.
[66] Ibid., p.
312.
[67] Legal Instruments to
Combat Racism on the Internet, Report prepared by the Swiss
Institute of Comparative Law for the European Commission
against Racism and Intolerance, Strasbourg, 2000, p. 6.
[68] See, in particular,
Council Recommendation 98/560/EC of 24 September 1998 on the
development of the competitiveness of the European audiovisual
and information services industry by promoting national
frameworks aimed at achieving a comparable and effective level
of protection of minors and human dignity, OJ L 270,
7.10.1998, p. 48. See generally:
http://europa.eu.int/comm/avpolicy/regul/new_srv/pmhd_en.htm.
[69] P. Donges, op.
cit.
[70] The European
Commission has been very active in this domain. A kingpin of
its activities is the commissioning of studies within the
framework of the 'Television Without Frontiers' Directive, on
which it then acts. See further:
http://europa.eu.int/comm/avpolicy/stat/studi_en.htm, For
additional commentary, see also: IRIS 1998-10: 5+6; IRIS
1999-4: 4; IRIS 2001-5: 4.
[71] See further, R.
Calleja, “Interactive Television – the First Click and
Beyond”, 11 Entertainment Law Review (Issue No. 7,
August 2000), pp. 163-164. See also B.S. Noveck, op. cit.
[72] Lessig, Lawrence and
Resnick, Paul, “Zoning Speech on the Internet: A Legal and
Technical Model”, 98 Michigan Law Review November 1999, pp.
395 – 431, at p. 395.
[73] III. (e),
Declaration of the Committee of Ministers of the Council of
Europe on the Freedom of Expression and Information, adopted
on 29 April 1982.
[74] See, in particular,
the paragraph: “Convinced that the continued development of
information and communication technology should serve to
further the right, regardless of frontiers, to express, to
seek, to receive and to impart information and ideas whatever
their source.”
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