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Curriculum Vitae
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Christina Angelopoulos
heeft rechten gestudeerd aan de Universiteit van Athene,
waarna zij haar LL.M. titel Europees Recht behaalde aan
de Universiteit van Edinburgh. Zij schreef een scriptie
over auteursrecht en de vrijheid van meningsuiting.
Daarna heeft zij stage gelopen bij de Europese Commissie
(DG Ondernemingen en Industrie).
Bij het IViR werkt zij als redacteur voor IRIS,
de maandelijkse nieuwsbrief van het European
Audiovisual Observatory.
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Publicaties
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Amended Directive Extends the Term of Protection for
Performers and Sound Recordings, GRUR International,
2011-11, p. 987-989.
06.12.2011
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Creative Commons and Related Rights in Sound Recordings:
Are the Two Systems Compatible?,
in
L. Guibault & C.
Angelopoulos (red.), Open Content Licensing: From
Theory to Practice,
Amsterdam: Amsterdam University Press, 2011, p. 243-295.
13.07.2011
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(red. met
L. Guibault)
Open Content Licensing from Theory to Practice,
Amsterdam: Amsterdam University Press, 2011.
This book assembles
chapters written by renowned European scholars on a
number of selected issues relating to open content
licensing. It offers a comprehensive and objective
study of the principles of open content from a
European intellectual property law perspective and
of their possible implementation in practice.
06.07.2011
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(red. met S.
Nikoltchev en S.J. van Gompel)
Digitisation and Online
Exploitation of Broadcasters' Archives, IRIS Special,
Strasbourg: European Audiovisual Observatory 2010.
The archives of
many television broadcasters now contain materiel
which includes more than half a century of
contemporary, documentary and entertainment history
and are of immense cultural and economic value.
Digitisation has created an entirely new technical
basis for making these assets available to a wide
audience, and there are a whole range of projects
aimed at opening up audiovisual archives (including
those of broadcasters). However, many projects to
open up broadcasters' archives and exploit them
online generally run up against serious problems
when it comes to clearing the rights for these
archived works. These problems arise, firstly, due
to a contractual practice that developed in the
pre-digital era and to aspects of copyright law that
do not really meet the needs of the digital age.
Secondly, the very large number of works stored in
archives constitutes a challenge that is not easily
overcome. The aim of this IRIS Special is to discuss
the subject from a number of different perspectives.
The team of authors involved is accordingly made up
of representatives of many different interests:
copyright holders and those who look after their
interests, television broadcasters, lawyers and
copyright experts.
Zie
hier voor meer informatie over deze publicatie.
14.01.2011
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Product Placement in European Audiovisual Productions,
IRIS plus, 2010-3.
06.08.2010
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(met
N. Helberger,
L. Guibault,
E.H. Janssen, N.A.N.M.
van Eijk, J.V.J.
van Hoboken, E. Swart, et al.)
User-Created-Content: Supporting a participative
Information Society, Final Report, studie in
opdracht van de Europese Commissie, uitgevoerd door
IDATE, TNO en IViR, 2008.
28.10.2009
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Filtering
the Internet for Copyrighted Content in Europe, IRIS
plus (Supplement to IRIS - Legal Observations
of the European Audiovisual Observatory), 2009-4.
21.05.2009
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(met J.V.J.
van Hoboken) Workshop
on Audiovisual Search: Summary of the Discussion, in
Searching for Audiovisual Content, IRIS Special,
December 2008.
30.03.2009
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Freedom
of Expression and Copyright - The Double Balancing Act,
Intellectual Property Quarterly, 2008-3, p.
328-353.
21.07.2008
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Modern intellectual
property legislation: Warm for reform, Entertainment
Law Review, 2008-2, p. 35-40.
27.03.2008
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Bijgewerkt
27.01.2012
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